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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    485 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    429 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "Study for Tile - No. 14 (of Ide Club No."12 records

Institutions answered newest-first by record, interleaved

Neckless jar with complex scene by Paracas artist(s), The Metropolitan Museum of Art

Neckless jar with complex scene

Paracas artist(s)

350 BCE–60 CE · Ceramic, post-fire paint

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Shepherds by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

The Adoration of the Shepherds

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper

Cleared · Public Domain

live
The MetSimilar
Samson and the Philistines by Michelangelo Buonarroti, The Metropolitan Museum of Art

Samson and the Philistines

Michelangelo Buonarroti (d. 1564)

ca. 1550 · Bronze

Cleared · Public Domain

live
The MetSimilar
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere") by Jacopo Bassano (Jacopo da Ponte), The Metropolitan Museum of Art

Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere")

Jacopo Bassano (Jacopo da Ponte) (d. 1592)

ca. 1560 · Brush and brown wash, highlighted with white gouache, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67 by Giuseppe Arcimboldo, The Metropolitan Museum of Art

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67

Giuseppe Arcimboldo (d. 1593)

1564–65 · Pen and brown ink, brush with pale brown and purple wash, over soft black chalk (recto); pen and brown ink, some sketches over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Apollo by Adriaen de Vries, The Metropolitan Museum of Art

Apollo

Adriaen de Vries (d. 1626)

ca. 1594–98 · Bronze

Cleared · Public Domain

live
The MetSimilar
Pair-case watch by Thomas Tompion, The Metropolitan Museum of Art

Pair-case watch

Thomas Tompion (d. 1713)

1682–83 · Outer case: leather with gold studs; inner case and dial: gold with blued-steel hands; movement: gilded brass, partly blued steel, silver

Cleared · Public Domain

live
The MetSimilar
Plate for the ‘Atlas Anatomico’ (unpublished) by Crisóstomo Alejandrino José Martínez y Sorli, The Metropolitan Museum of Art

Plate for the ‘Atlas Anatomico’ (unpublished)

Crisóstomo Alejandrino José Martínez y Sorli (d. 1694)

Plate ca. 1680–94; printed 1740 · Etching

Cleared · Public Domain

live
The MetSimilar
Nécessaire with watch by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire with watch

Unrecorded maker

probably ca. 1745–50 · Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art

Pedestal [for Woman from the French Colonies]

Charles-Henri-Joseph Cordier (d. 1905)

1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for Tile - No. 14 (of Ide Club No. 1)

Elbridge Kingsley (d. 1918)

1860–1915 · Engraving

In copyright

live
The MetSimilar

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