
Study of a Tree
Roelandt Savery (d. 1639)
ca. 1606–7 · Gray watercolor wash, a red chalk wash, charcoal dipped in oil, and graphite on off-white laid paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
274 ms. The Metropolitan Museum of Art, Collection API (Open Access)
450 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 524 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study of a Tree
Roelandt Savery (d. 1639)
ca. 1606–7 · Gray watercolor wash, a red chalk wash, charcoal dipped in oil, and graphite on off-white laid paper
Cleared · Public Domain
live
Study of a Blasted Tree Trunk and Branches
Simon de Vlieger (d. 1653)
1600–1653 · Black chalk, brown wash, heightened with yellowish white chalk. Framing line in pen and black ink
Cleared · Public Domain
live
Tree Trunks and Lane
John Crome (d. 1821)
1811–12 · Soft-ground etching on chine collé
Cleared · Public Domain
live
Tree Trunks and Lane
John Crome (d. 1821)
1811–13 · Softground etching on chine collé
Cleared · Public Domain
live
Study for Tree Trunks and Lane
John Crome (d. 1821)
ca. 1812 · Graphite (recto); soft ground etching (verso)
Cleared · Public Domain
live
Birch Tree, Niagara
John Frederick Kensett (d. 1872)
probably 1851 · Graphite on smooth textured off-white wove paper
Cleared · Public Domain
live
Tree Study, Forest of Fontainebleau
Gustave Le Gray (d. 1884)
ca. 1856 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Tree
Raphael Lamar West (d. 1850)
1802–7 · Pen lithograph on yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Tree
Raphael Lamar West (d. 1850)
1802–7 · Pen lithograph on yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tree Trunks and Lane, from "Norfolk Picturesque Scenery"
John Crome (d. 1821)
1811–34 · Softground etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany
Edward Lear (d. 1888)
1842 · Oil with traces of graphite on two pieces of blue paper mounted on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stems (A Study)
Sir Francis Seymour Haden (d. 1910)
1860 · Etching; first (final) state (Harrington); third state of four (Schneiderman)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.