
Study for a Frontispiece
Willem Pietersz Buytewech (d. 1624)
1621 · Pen and brown ink, brush and gray wash, and black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
559 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,060 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study for a Frontispiece
Willem Pietersz Buytewech (d. 1624)
1621 · Pen and brown ink, brush and gray wash, and black chalk
Cleared · Public Domain
live
Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, bound manuscript of 48 leaves, 77 drawings; watercolor, ink, silver, and gold over occasional traces of pencil, on vellum
Cleared · CC0
live
Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
live
Anemones with a Snail, folio 30 (recto), from Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, watercolor, ink, silver, and gold over occasional traces of pencil, on vellum
Cleared · CC0
live
Drawing for a Frontispiece
Mauro Soderini (d. 1739)
1704–39
Cleared · Public Domain
live
Parrot with a Pear, folio 38 (recto), from Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, watercolor, ink, silver, and gold over occasional traces of pencil, on vellum
Cleared · CC0
live
Study for a frontispiece for "Histoire de Miss Jenny"
Hubert François Gravelot (d. 1773)
18th century · Black chalk
Cleared · Public Domain
live
Labyrinth with Floral and Cornucopia Border, folio 16 (recto), from Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, watercolor, ink, silver, and gold over occasional traces of pencil, on vellum
Cleared · CC0
live
Study for a frontispiece for "Histoire de Miss Jenny"
Hubert François Gravelot (d. 1773)
18th century · Pen and black ink, with black and white chalk
Cleared · Public Domain
live
Red Peony, folio 24 (recto), from Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, watercolor, ink, silver, and gold over occasional traces of pencil, on vellum
Cleared · CC0
live
Study for a frontispiece for "Histoire de Miss Jenny"
Hubert François Gravelot (d. 1773)
18th century · Pen and black ink, with black and white chalk
Cleared · Public Domain
live
Bird and Dog, folio 37 (verso), from Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, watercolor, ink, silver and gold over occasional traces of pencil, on vellum
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.