Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
554 ms. The Metropolitan Museum of Art, Collection API (Open Access)
703 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 70 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso)
Raphael (Raffaello Sanzio or Santi) (d. 1520)
ca. 1506–7 · Red chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Standing Saint John the Baptist with The Lamb
Girolamo Macchietti (d. 1592)
ca. 1575–76 · Red chalk, highlighted with white chalk, on ochre washed paper
Cleared · Public Domain
live
Bust-Length Study of a Bearded Man with Cap in Three-Quarter View
Jacopo Bassano (Jacopo da Ponte) (d. 1592)
1510–92 · Pastel and charcoal on blue paper
Cleared · Public Domain
live
The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint
Baccio (Lorenzo Bartolo) Ciarpi (d. 1654)
ca. 1620 · Black chalk, highlighted with blue wash
Cleared · Public Domain
live
A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome)
Giovanni Lanfranco (d. 1647)
1634–35 · Black chalk, partly reworked by the artist in pen and brown ink
Cleared · Public Domain
live
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso)
Giovanni Biliverti (d. 1644)
1585–1644 · Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk (verso); squared in red chalk
Cleared · Public Domain
live
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa (d. 1673)
1615–73 · Red chalk highlighted with white chalk
Cleared · Public Domain
live
Seated Male Nude
Louis de Boullogne the Younger (d. 1733)
1704 · Black chalk, heightened with white
Cleared · Public Domain
live
Head of a Bearded Man Looking to Upper Left (Saint Ambrose)
Carlo Maratti (d. 1713)
1625–1713 · Red chalk on blue paper
Cleared · Public Domain
live
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)
Carlo Maratti (d. 1713)
1625–1713 · Red chalk on beige paper
Cleared · Public Domain
live
Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso)
Bartholomaeus Ignaz Weiss (d. 1814)
1750–1815 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over red chalk and traces of lead? on cream paper (recto); red chalk (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Male Nude (Vincent Spinelli)
John Flanagan (d. 1952)
ca. 1891 · Charcoal on paper
In copyright
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