Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
913 ms. The Metropolitan Museum of Art, Collection API (Open Access)
363 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 159 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)
Anonymous, Italian, Florentine, 16th century (d. 1600)
1530–40 · Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Study for Raising Lazarus ? (recto); Two Standing Men (verso)
Stefano dall' Arzere (d. 1575)
ca. 1540–75 · Pen and brown ink, with some brush and brown wash
Cleared · Public Domain
live
Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci (d. 1609)
1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)
Cleared · Public Domain
live
The Raising of Lazarus
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1619 · Pen and brown ink, brush and brown wash, over traces of black chalk
Cleared · Public Domain
live
The Raising of Lazarus
Unrecorded maker
ca. 1620 · Terracotta
Cleared · Public Domain
live
Study of Hands (recto); Study for a Reclining St. Francis (verso)
Daniele Crespi (d. 1630)
ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)
Cleared · Public Domain
live
Study for a Triton (recto); Anatomical Studies ? (verso)
Gian Lorenzo Bernini (d. 1680)
1642–43 · Red chalk, the background tinted with an almost imperceptible pale brown wash, framing lines in pen and brown ink (recto); black chalk (verso)
Cleared · Public Domain
live
Raising of Lazarus
Giovanni Benedetto Castiglione (Il Grechetto) (d. 1664)
1645–50 · Etching
Cleared · Public Domain
live
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa (d. 1673)
1615–73 · Red chalk highlighted with white chalk
Cleared · Public Domain
live
Raising of Lazarus (from Sketchbook)
Thomas Sully (d. 1872)
1810–20 · Ink, wash, on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Instruments of Power" (recto); Study for "Deep South" (verso)
Thomas Hart Benton (d. 1975)
ca. 1930 · Oil on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Christ at the Home of Lazarus"
Henry Ossawa Tanner (d. 1937)
1937 · Oil on canvas
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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