A painting can be out of copyright and thephotograph of it can still be protected.

Limestone fragment of an altar with a relief

Unrecorded maker

early 5th century BCE · Limestone

Study of a Seated Mannequin with an Arrangement of Drapery, for a Figure of the Virgin

Anonymous, North-Italian, probably Lombard, 15th century (d. 1500)

15th century · Pen with two colors of brown ink and wash (warm brown and grayish), highlighted with white gouache, over grayish black chalk, on gray-blue paper

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)

Anonymous, Italian, Florentine, 16th century (d. 1600)

1530–40 · Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)

Study for a Figure of Saint Joseph

Bartolomeo Schedoni (d. 1615)

ca. 1595–1615 · Black chalk, highlighted with white gouache, on blue-gray paper

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Study for a Seated Prelate (Saint Gregory the Great)

Carlo Maratti (d. 1713)

1685–86 · Black chalk, highlighted with white chalk, on blue-gray paper

Study for an Altar with a Figure on a Raised Socle at Left; verso: Study for an Altar with a Figure of an Angel or Saint

Joseph Anton Feuchtmayer (d. 1770)

ca. 1720–40 · Pen and brown ink, graphite

Bodice for an altar figure

Unrecorded maker

1730–70 · Silk, metal

Study for a Monument to a Princely Figure

François Boucher (d. 1770)

1770 · Oil on paper, mounted on board

Dress for an altar figure

Unrecorded maker

third quarter 18th century · Silk, metal bobbin lace

Seated Figure: Study for "A Vision of Antiquity"

Pierre Puvis de Chavannes (d. 1898)

1883–85 · Fabricated black crayon, squared

Altar with figure

Kaka artist

Late 19th–early 20th century · Wood, soot, pigment