A painting can be out of copyright and thephotograph of it can still be protected.

Study for the Figure of Aeolus

Pellegrino Tibaldi (d. 1596)

1549–51 · Red chalk

Study for Christ in The Entombment

Bartolomeo Neroni (Il Riccio) (d. 1571)

16th century · Brush and brown wash, over black chalk

Study for the Figure of Christ in a Deposition

Ventura Salimbeni (d. 1613)

late 16th–early 17th century · Red chalk, over traces of an illegible sketch in black chalk.

Study of a seated male figure (Ecce Homo?)

Juan Carreño de Miranda (d. 1685)

ca. 1665–75 · Red chalk and charcoal

Study for the figure of Moses

Jacob de Wit (d. 1754)

1730–37 · Point of brush and black ink with black and gray wash over red chalk

Study of a Draped Figure

Jean François de Troy (d. 1752)

ca. 1736–39 · Red and white chalk, stumped, on blue prepared paper

Study for the Figure of Christ

Giacomo Zoboli (d. 1767)

18th century · Black chalk, highlighted with white chalk

Study for "The Ascension"

John Singleton Copley (d. 1815)

1774 · Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper, watercolor

Study of Hands for "Christ Among the Doctors"

Jean Auguste Dominique Ingres (d. 1867)

1852–62 · Graphite on tracing paper

Head Study for "The Entombment of Christ"

Henri Regnault (d. 1871)

1864 · Graphite

Christ figure

Kongo artist

18th–19th century · Brass

Christ figure

Kongo artist

18th–19th century · Brass