Marble statue of a youth
Unrecorded maker
1st century BCE · Marble
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
289 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
287 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 69 matching records exist across the two collections.
Results for "Study for the Nude Youth over the Prophe"12 records
Institutions answered newest-first by record, interleaved
Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–25 · Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Cleared · Public Domain
liveThe MetSimilar
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1621 · Red chalk on blue paper
Cleared · Public Domain
liveThe MetSimilar
Seated youth with a lamp in the form of a snail shell
Andrea Briosco, called Riccio (d. 1532)
possibly late 16th–early 17th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1620 · Pen and brown ink, brush and light brown wash (recto and verso)
Cleared · Public Domain
liveThe MetSimilar
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini) (d. 1669)
1637 · Pen and brown ink, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Study for Nude Male Figures Supporting a Frame and Plan of the Ceiling Decoration of Palazzo Altieri, Rome
Carlo Maratti (d. 1713)
1625–1713 · Pen and brown ink, some brush and brown wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Youth with Arms Upraised
Edgar Degas (d. 1917)
1859–60 or 1861–62 · Black chalk over pencil on fine beige paper
Cleared · Public Domain
liveThe MetSimilar
Drapery study for "A Venus"
Albert Joseph Moore (d. 1893)
ca. 1868 · Black and white chalk on brown paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude with Raised Arm and Drapery (Study for "Les demoiselles d'Avignon")
Pablo Picasso (d. 1973)
Paris, spring–summer 1907 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Torso
Clarence H. White (d. 1925)
1907, printed 1907–9 · Platinum print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Composition (Study for "Nude Model in the Studio")
Fernand Léger (d. 1955)
1912 · Oil paint, opaque watercolor, and ink over graphite on brown paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.