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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    469 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 137 matching records exist across the two collections.

Results for "Study for the Prophet Jeremiah (recto);"12 records

Institutions answered newest-first by record, interleaved

Study for the Decoration of a Vault by Orazio Samacchini, The Metropolitan Museum of Art

Study for the Decoration of a Vault

Orazio Samacchini (d. 1577)

1532–77 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on blue-green paper

Cleared · Public Domain

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The MetSimilar
Study for an Angel (recto); Study of a Cushion (verso) by Annibale Carracci, The Metropolitan Museum of Art

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Cleared · Public Domain

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The MetSimilar
Study of Hands (recto); Study for a Reclining St. Francis (verso) by Daniele Crespi, The Metropolitan Museum of Art

Study of Hands (recto); Study for a Reclining St. Francis (verso)

Daniele Crespi (d. 1630)

ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)

Cleared · Public Domain

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The MetSimilar
Study for a Triton (recto); Anatomical Studies ? (verso) by Gian Lorenzo Bernini, The Metropolitan Museum of Art

Study for a Triton (recto); Anatomical Studies ? (verso)

Gian Lorenzo Bernini (d. 1680)

1642–43 · Red chalk, the background tinted with an almost imperceptible pale brown wash, framing lines in pen and brown ink (recto); black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso) by Henry Fuseli, The Metropolitan Museum of Art

Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)

Henry Fuseli (d. 1825)

1764–70 · Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite

Cleared · Public Domain

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The MetSimilar
Drapery Study for "Battledore" (recto); Two Women (verso) by Albert Joseph Moore, The Metropolitan Museum of Art

Drapery Study for "Battledore" (recto); Two Women (verso)

Albert Joseph Moore (d. 1893)

1868–70 · Black conté crayon and white chalk on brown paper (recto); black chalk (verso)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "Composition: The Peasants" (recto); Standing Female Nude (verso)

Pablo Picasso (d. 1973)

1906 · Pen and black ink on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "Instruments of Power" (recto); Study for "Deep South" (verso)

Thomas Hart Benton (d. 1975)

ca. 1930 · Oil on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "The Block" [angel] (recto); Study for "The Block" [people] (verso)

Romare Bearden (d. 1988)

ca. 1971 · a and b: Green marker on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "The Block" [angels] (recto); Study for "The Block" [group of people] (verso)

Romare Bearden (d. 1988)

ca. 1971 · Green, blue and yellow marker on paper (recto)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "The Block" [lamppost] (recto); Study for "The Block" [buildings] (verso)

Romare Bearden (d. 1988)

ca. 1971 · Graphite on paper (recto and verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "The Block" [window] (recto); Study for "The Block" [design] (verso)

Romare Bearden (d. 1988)

ca. 1971 · Graphite on paper (recto and verso)

In copyright

live
The MetSimilar

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