Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    626 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    767 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 720 matching records exist across the two collections.

Results for "Study for the West Façade of the Palace"12 records

Institutions answered newest-first by record, interleaved

Study for the West Façade of the Palace of Charles V, The Alhambra, Granada by Juan de Orea, The Metropolitan Museum of Art

Study for the West Façade of the Palace of Charles V, The Alhambra, Granada

Juan de Orea (d. 1580)

ca. 1580 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for the Façade of a Palace with the Coat of Arms of Pope Clement IX by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for the Façade of a Palace with the Coat of Arms of Pope Clement IX

Anonymous, Italian, 18th century (d. 1800)

ca. 1710–21 · Pen and brown ink with brown, red and green wash

Cleared · Public Domain

live
The MetSimilar
Design for a Palace Façade: detail of Windows and Doors by Carl Hårleman, The Metropolitan Museum of Art

Design for a Palace Façade: detail of Windows and Doors

Carl Hårleman (d. 1753)

early–mid 18th century · Pen and black and gray ink, brush and gray ink, over black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Study for the Rotunda of a Palace by Jacques de Lajoüe, The Metropolitan Museum of Art

Study for the Rotunda of a Palace

Jacques de Lajoüe (d. 1761)

n.d. · Red chalk with red chalk wash, with framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Design for the Garden Façade of a Palace by Giovanni Niccolò Servandoni, The Metropolitan Museum of Art

Design for the Garden Façade of a Palace

Giovanni Niccolò Servandoni (d. 1766)

1695–1766 · Graphite, pen and black and gray ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Detail study for the façade of Milan cathedral by Luigi Vanvitelli, The Metropolitan Museum of Art

Detail study for the façade of Milan cathedral

Luigi Vanvitelli (d. 1773)

1700–1773 · Pen and black ink over freehand graphite and compass and ruled construction lines in graphite

Cleared · Public Domain

live
The MetSimilar
Façade of Palace decorated for the Marriage of the King of Naples to the Archduchess of Austria by Luigi Vanvitelli, The Metropolitan Museum of Art

Façade of Palace decorated for the Marriage of the King of Naples to the Archduchess of Austria

Luigi Vanvitelli (d. 1773)

1700–73 · Pen and black-gray ink, brush and gray wash, over freehand underdrawing in graphite and compass and ruled construction lines in graphite

Cleared · Public Domain

live
The MetSimilar
Study for "Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald" by Benjamin West, The Metropolitan Museum of Art

Study for "Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald"

Benjamin West (d. 1820)

1784 · Pen and brown ink, brown ink washes, black chalk, and graphite on off-white (now oxidized) laid paper.

Cleared · Public Domain

live
The MetSimilar
Study for the Crucifixion by Benjamin West, The Metropolitan Museum of Art

Study for the Crucifixion

Benjamin West (d. 1820)

1788 · Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light golden brown wash

Cleared · Public Domain

live
The MetSimilar
Moses Shown the Promised Land by Benjamin West, The Metropolitan Museum of Art

Moses Shown the Promised Land

Benjamin West (d. 1820)

1801 · Oil on wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of a Tree

Raphael Lamar West (d. 1850)

1802–7 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of a Tree

Raphael Lamar West (d. 1850)

1802–7 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.