
Study of Hands (recto); Study for a Reclining St. Francis (verso)
Daniele Crespi (d. 1630)
ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
191 ms. The Metropolitan Museum of Art, Collection API (Open Access)
354 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10,138 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study of Hands (recto); Study for a Reclining St. Francis (verso)
Daniele Crespi (d. 1630)
ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)
Cleared · Public Domain
live
Study for a Portrait of a Lady
Anthony van Dyck (d. 1641)
early 17th century · Black chalk heightened with white chalk on brown paper
Cleared · Public Domain
live
Study of Hands
Charles Joseph Natoire (d. 1777)
ca. 1761 · Black and white chalks on blue paper
Cleared · Public Domain
live
Study of the Throne in the House of Lords (Study for Portrait of Queen Victoria)
Thomas Sully (d. 1872)
ca. 1838 · Graphite on paper
Cleared · Public Domain
live
Study of Hands for "Christ Among the Doctors"
Jean Auguste Dominique Ingres (d. 1867)
1852–62 · Graphite on tracing paper
Cleared · Public Domain
live
Study for the hands in the Portrait of Edward D. Adams
Alphonse Legros (d. 1911)
1892 · Goldpoint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Whence & Whither?"
Cyril E. Power (d. 1951)
1929 · Wax crayon, graphite, and ink on tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Viaduct"
Cyril E. Power (d. 1951)
ca. 1925 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Whence & Whither?"
Cyril E. Power (d. 1951)
ca. 1930 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Whence & Whither?" (Study of escalators IV)
Cyril E. Power (d. 1951)
ca. 1930 · Pastel on tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Tube Station"
Cyril E. Power (d. 1951)
ca. 1932 · Pencil and colored pencil
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Exam Room"
Cyril E. Power (d. 1951)
ca. 1934 · Graphite and wax crayon
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.