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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    618 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 282 matching records exist across the two collections.

Results for "Study of Crossed Legs and Man Making a F"12 records

Institutions answered newest-first by record, interleaved

A Man Resting on a Staff by Paolo Farinati, The Metropolitan Museum of Art

A Man Resting on a Staff

Paolo Farinati (d. 1606)

n.d. · Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Study of a Headless Draped Figure with Arms Crossed; verso: Figure of a Man in a Voluminous robe, Seen from Behind by Abraham Bloemaert, The Metropolitan Museum of Art

Study of a Headless Draped Figure with Arms Crossed; verso: Figure of a Man in a Voluminous robe, Seen from Behind

Abraham Bloemaert (d. 1651)

late 16th–mid-17th century · Red chalk heightened with white, framing line in pen and brown ink; verso: red and white chalk

Cleared · Public Domain

live
The MetSimilar
A Young Man Seated on the Ground by Jan Miel, The Metropolitan Museum of Art

A Young Man Seated on the Ground

Jan Miel (d. 1664)

early 17th–mid 17th century · Black and white chalk, brush and gray ink on brown paper; framing line in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Study of a woman and child by Sir Joshua Reynolds, The Metropolitan Museum of Art

Study of a woman and child

Sir Joshua Reynolds (d. 1792)

1745–92 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Study of Crossed Legs and Man Making a Fist (from Sketchbook) by Francis William Edmonds, The Metropolitan Museum of Art

Study of Crossed Legs and Man Making a Fist (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Cleared · Public Domain

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The MetSimilar
Frederick Langenheim Looking at Talbotypes by W. & F. Langenheim, The Metropolitan Museum of Art

Frederick Langenheim Looking at Talbotypes

W. & F. Langenheim (d. 1874)

ca. 1849–51 · Daguerreotype

Cleared · Public Domain

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The MetSimilar
Study for "The Pipe Bearer" by John Frederick Lewis, The Metropolitan Museum of Art

Study for "The Pipe Bearer"

John Frederick Lewis (d. 1876)

1841–51 · Watercolor, gouache (bodycolor) and black chalk on gray paper

Cleared · Public Domain

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The MetSimilar
Frederick Langenheim by W. & F. Langenheim, The Metropolitan Museum of Art

Frederick Langenheim

W. & F. Langenheim (d. 1874)

ca. 1851–53 · Daguerreotype

Cleared · Public Domain

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The MetSimilar
Man with a Beard by Rembrandt, The Metropolitan Museum of Art

Man with a Beard

Rembrandt (d. 1669)

1889 · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kahlil Gibran with Book

F. Holland Day (d. 1933)

1896 · Platinum print

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The National Academy Jury of 1907

F. Luis Mora (d. 1940)

1907 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Study for a Decorative Panel]

Alphonse Mucha (d. 1939)

1908 · Gelatin silver print

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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