
A Man Resting on a Staff
Paolo Farinati (d. 1606)
n.d. · Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
618 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 282 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Man Resting on a Staff
Paolo Farinati (d. 1606)
n.d. · Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk
Cleared · Public Domain
live
Study of a Headless Draped Figure with Arms Crossed; verso: Figure of a Man in a Voluminous robe, Seen from Behind
Abraham Bloemaert (d. 1651)
late 16th–mid-17th century · Red chalk heightened with white, framing line in pen and brown ink; verso: red and white chalk
Cleared · Public Domain
live
A Young Man Seated on the Ground
Jan Miel (d. 1664)
early 17th–mid 17th century · Black and white chalk, brush and gray ink on brown paper; framing line in pen and brown ink
Cleared · Public Domain
live
Study of a woman and child
Sir Joshua Reynolds (d. 1792)
1745–92 · Black chalk
Cleared · Public Domain
live
Study of Crossed Legs and Man Making a Fist (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
live
Frederick Langenheim Looking at Talbotypes
W. & F. Langenheim (d. 1874)
ca. 1849–51 · Daguerreotype
Cleared · Public Domain
live
Study for "The Pipe Bearer"
John Frederick Lewis (d. 1876)
1841–51 · Watercolor, gouache (bodycolor) and black chalk on gray paper
Cleared · Public Domain
live
Frederick Langenheim
W. & F. Langenheim (d. 1874)
ca. 1851–53 · Daguerreotype
Cleared · Public Domain
live
Man with a Beard
Rembrandt (d. 1669)
1889 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kahlil Gibran with Book
F. Holland Day (d. 1933)
1896 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The National Academy Jury of 1907
F. Luis Mora (d. 1940)
1907 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Study for a Decorative Panel]
Alphonse Mucha (d. 1939)
1908 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.