Study of Hands (recto)
Pierre Lenfant (d. 1787)
1700s · Drawing, red and black chalk heightened with white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
336 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 14 matching records exist across the two collections.
Results for "Study of Hands (recto)"12 records
Institutions answered newest-first by record, interleaved
Studies of Hands (recto)
Carletto Caliari (d. 1596)
c. 1586 · Drawing, charcoal (stumped in places) heightened with white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Studies of Hands (recto); Sketch of a Child's Head (verso)
Carletto Caliari (d. 1596)
c. 1586 · Drawing, charcoal (stumped in places) heightened with white chalk; black chalk with pen and brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
A Flying Angel (recto); Studies of Hands Playing Instruments (verso)
Giovanni Battista Piazzetta (d. 1754)
1723–27 · Drawing, black chalk heightened with traces of white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Feast of Herod (recto)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
Study of Hands (recto); Sketch of a Hand (verso)
Pierre Lenfant (d. 1787)
1700s · Drawing, red and black chalk heightened with white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Study of Hands (recto)
Théodule Ribot (d. 1891)
1800s · Drawing, black chalk and graphite (recto)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Woman Standing among the Friars (recto)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
liveCleveland Museum of ArtSimilar
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Transfiguration (recto); Study of Hands (verso)
Camillo Procaccini (d. 1629)
c. 1590 · Drawing, pen and brown ink and graphite and brush and brown wash
Cleared · CC0
liveCleveland Museum of ArtSimilar
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