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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    256 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 228 matching records exist across the two collections.

Results for "Study of Hands (recto); Study for a Recl"12 records

Institutions answered newest-first by record, interleaved

Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso) by Filippino Lippi, The Metropolitan Museum of Art

Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)

Filippino Lippi (d. 1504)

1457/58–1504 · Metalpoint, highlighted with white gouache, on pink prepared paper (recto); metalpoint, on pink prepared paper (verso)

Cleared · Public Domain

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The MetSimilar
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso) by Anonymous, Italian, Florentine, 16th century, The Metropolitan Museum of Art

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)

Anonymous, Italian, Florentine, 16th century (d. 1600)

1530–40 · Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Study for an Angel (recto); Study of a Cushion (verso) by Annibale Carracci, The Metropolitan Museum of Art

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Cleared · Public Domain

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The MetSimilar
Study of Hands (recto); Study for a Reclining St. Francis (verso) by Daniele Crespi, The Metropolitan Museum of Art

Study of Hands (recto); Study for a Reclining St. Francis (verso)

Daniele Crespi (d. 1630)

ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)

Cleared · Public Domain

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The MetSimilar
Study for a Triton (recto); Anatomical Studies ? (verso) by Gian Lorenzo Bernini, The Metropolitan Museum of Art

Study for a Triton (recto); Anatomical Studies ? (verso)

Gian Lorenzo Bernini (d. 1680)

1642–43 · Red chalk, the background tinted with an almost imperceptible pale brown wash, framing lines in pen and brown ink (recto); black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Study of a Woman's Head and Hands by Antoine Watteau, The Metropolitan Museum of Art

Study of a Woman's Head and Hands

Antoine Watteau (d. 1721)

ca. 1717 · Red and white chalk and graphite

Cleared · Public Domain

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The MetSimilar
Study of Hands by Charles Joseph Natoire, The Metropolitan Museum of Art

Study of Hands

Charles Joseph Natoire (d. 1777)

ca. 1761 · Black and white chalks on blue paper

Cleared · Public Domain

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The MetSimilar
Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso) by Jacques Louis David, The Metropolitan Museum of Art

Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso)

Jacques Louis David (d. 1825)

ca. 1788 · Red chalk

Cleared · Public Domain

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The MetSimilar
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) by Hubert Robert, The Metropolitan Museum of Art

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)

Hubert Robert (d. 1808)

ca. 1800 · Black chalk

Cleared · Public Domain

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The MetSimilar
Study of a Man's Forearm (recto); Study of Extended Arms with Hands Clasped (verso) by Umberto Boccioni, The Metropolitan Museum of Art

Study of a Man's Forearm (recto); Study of Extended Arms with Hands Clasped (verso)

Umberto Boccioni (d. 1916)

ca. 1908 · Graphite on paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for The Pleiades

Elihu Vedder (d. 1923)

1883–84 · Charcoal and white chalk on blue wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "Instruments of Power" (recto); Study for "Deep South" (verso)

Thomas Hart Benton (d. 1975)

ca. 1930 · Oil on Masonite

In copyright

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The MetSimilar

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