Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    186 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 53 matching records exist across the two collections.

Results for "Study of Jacopo Brought before His Fathe"12 records

Institutions answered newest-first by record, interleaved

Fragrant Snow at Broken Bridge by Wang Mian, The Metropolitan Museum of Art

Fragrant Snow at Broken Bridge

Wang Mian (d. 1359)

14th century · Hanging scroll; ink on silk

Cleared · Public Domain

live
The MetSimilar
Emperor Antoninus Pius by Antico (Pier Jacopo Alari Bonacolsi), The Metropolitan Museum of Art

Emperor Antoninus Pius

Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)

1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle

Cleared · Public Domain

live
The MetSimilar
Study for the Allegory of San Gimignano and Colle Val d'Elsa by Jacopo Zucchi, The Metropolitan Museum of Art

Study for the Allegory of San Gimignano and Colle Val d'Elsa

Jacopo Zucchi (d. 1596)

1563 · Pen and brown ink, highlighted with white gouache, traces of squaring in black chalk (on top of drawing surface), over traces of black chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere") by Jacopo Bassano (Jacopo da Ponte), The Metropolitan Museum of Art

Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere")

Jacopo Bassano (Jacopo da Ponte) (d. 1592)

ca. 1560 · Brush and brown wash, highlighted with white gouache, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art

The Farnese Table

Jacopo [Giacomo] Barozzi da Vignola (d. 1573)

ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers

Cleared · Public Domain

live
The MetSimilar
Study for Saint Gervasius by Eustache Le Sueur, The Metropolitan Museum of Art

Study for Saint Gervasius

Eustache Le Sueur (d. 1655)

ca. 1652 · Black chalk heightened with white chalk, on gray-beige paper; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Jean Marc Nattier (1685–1766) by Louis Tocqué, The Metropolitan Museum of Art

Jean Marc Nattier (1685–1766)

Louis Tocqué (d. 1772)

ca. 1740 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Study of Jacopo Brought before His Father, the Doge, for "The Two Foscari" by Eugène Delacroix, The Metropolitan Museum of Art

Study of Jacopo Brought before His Father, the Doge, for "The Two Foscari"

Eugène Delacroix (d. 1863)

1847 · Graphite

Cleared · Public Domain

live
The MetSimilar
Façade de l'Eglise du St. Sépulcre, à Jérusalem (No. 2 partie supérieure) by Maxime Du Camp, The Metropolitan Museum of Art

Façade de l'Eglise du St. Sépulcre, à Jérusalem (No. 2 partie supérieure)

Maxime Du Camp (d. 1894)

August 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Facsimile of Study of Jacopo Brought before His Father, the Doge by Alfred-Ernest Robaut, The Metropolitan Museum of Art

Facsimile of Study of Jacopo Brought before His Father, the Doge

Alfred-Ernest Robaut (d. 1909)

1865 · Lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Equestrian Portrait of Louis de Lorraine, Prince of Phalsbourg

Jacques Callot (d. 1635)

ca. 1624 · Brush and brown wash over black chalk; the outlines of the horse and rider are pricked for transfer and partially indented

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Haida Metamorphosis

Lothar Baumgarten (d. 2018)

1969, printed 1985 · Chromogenic print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.