A painting can be out of copyright and thephotograph of it can still be protected.

The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border

Battista Franco (d. 1561)

1510–61 · Pen and brown ink

Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor)

Isidore Pils (d. 1875)

c. 1851 · Drawing, oil, brown oil wash or ink wash, and black crayon

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Study for Lower Part of Torso and Legs of a Young Boy

Pomarancio (Cristoforo Roncalli) (d. 1626)

1568–1640 · Black chalk, traces of red chalk

Drapery Study of a Woman with an Outstretched Arm

Louis Lagrenée (d. 1805)

ca. 1770–80 · Black and white chalk with stumping on buff-colored paper

Study of a woman and child

Sir Joshua Reynolds (d. 1792)

1745–92 · Black chalk

Study of Crossed Legs and Man Making a Fist (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Study of Lower Legs and an Arm

William Pitts (d. 1840)

early to mid-19th century · Pen and brown ink

[Study of Legs]

Pierre-Louis Pierson (d. 1913)

1861–67 · Albumen silver print from glass negative

Study of Legs

Romain Cazes (d. 1881)

1828–81 · Black chalk highlighted with white chalk

Study of Legs

Romain Cazes (d. 1881)

1828–81 · Black chalk highlighted with white chalk

Pair of Arm Defenses

New England Enameling Company, Inc.

1918 · Steel, paint, leather, copper alloy