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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    594 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Study of Oak Trees (recto)"12 records

Institutions answered newest-first by record, interleaved

Study of the Side of a Rocky Cliff; Verso: Dam on a Mountain Stream by Paulus Willemsz. van Vianen, The Metropolitan Museum of Art

Study of the Side of a Rocky Cliff; Verso: Dam on a Mountain Stream

Paulus Willemsz. van Vianen (d. 1619)

1600–1605 · Pen and brown ink, blue-gray and brown wash; verso: pen and black ink and gray wash

Cleared · Public Domain

live
The MetSimilar
Boat Moored on a Beach by a Wooden Palisade (recto); Study of Trees (verso) by Jan Porcellis, The Metropolitan Museum of Art

Boat Moored on a Beach by a Wooden Palisade (recto); Study of Trees (verso)

Jan Porcellis (d. 1632)

n.d. · Black chalk and black wash (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Landscape with Buildings and a Town in the Distance (recto); Study of a Building (verso) by Jacques Callot, The Metropolitan Museum of Art

Landscape with Buildings and a Town in the Distance (recto); Study of a Building (verso)

Jacques Callot (d. 1635)

1635 · Brush and brown wash over black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Study of a Palm Tree (recto); Mountain Landscape (verso) by Nicolas Poussin, The Metropolitan Museum of Art

Study of a Palm Tree (recto); Mountain Landscape (verso)

Nicolas Poussin (d. 1665)

ca. 1635–40 · Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Landscape with Figures Crossing a Bridge (recto); Study of a Nude Male, Study of Legs, Study of Head in Profile to the Right (verso) by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Landscape with Figures Crossing a Bridge (recto); Study of a Nude Male, Study of Legs, Study of Head in Profile to the Right (verso)

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash (recto); red chalk with some highlights in white chalk, some scribbles in black chalk at top edge (drawings on verso oriented vertically on sheet) (verso Cream colored paper. Fragments of framing outlines in brown ink visible along left, right, and bottom edges. Trace of black chalk framing line along upper left edge

Cleared · Public Domain

live
The MetSimilar
Study of Oak Trees (recto) by Carl Wilhelm Kolbe, The Metropolitan Museum of Art

Study of Oak Trees (recto)

Carl Wilhelm Kolbe (d. 1835)

1800 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Study for Three Trees by John Crome, The Metropolitan Museum of Art

Study for Three Trees

John Crome (d. 1821)

January 12, 1812 · Graphite (recto); soft ground etching (verso)

Cleared · Public Domain

live
The MetSimilar
Study of a Tree; verso: Study of Houses by Ernst Ferdinand Oehme, The Metropolitan Museum of Art

Study of a Tree; verso: Study of Houses

Ernst Ferdinand Oehme (d. 1855)

1832 · Graphite

Cleared · Public Domain

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The MetSimilar
Fontainebleau: Oak Trees at Bas-Bréau by Camille Corot, The Metropolitan Museum of Art

Fontainebleau: Oak Trees at Bas-Bréau

Camille Corot (d. 1875)

1832 or 1833 · Oil on paper, laid down on wood

Cleared · Public Domain

live
The MetSimilar
A woodland scene at dusk (recto); A study of trees and foliage (verso) by William James Müller, The Metropolitan Museum of Art

A woodland scene at dusk (recto); A study of trees and foliage (verso)

William James Müller (d. 1845)

1833–45 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques, stopping out, and gum arabic on blue-gray paper

Cleared · Public Domain

live
The MetSimilar
Landscape with a Distant Town (recto); Study of Trees around a Pond (verso) by Henri-Joseph Harpignies, The Metropolitan Museum of Art

Landscape with a Distant Town (recto); Study of Trees around a Pond (verso)

Henri-Joseph Harpignies (d. 1916)

ca. 1865 · watercolor over graphite on off-white heavy Bristol-board (recto); charcoal or black chalk (verso)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chateau (recto); Study of an Old Bridge (verso)

Jacques Thévenet (d. 1989)

1926 · Watercolor and black ink on paper (recto) ; watercolor on paper (verso)

In copyright

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The MetSimilar

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