
Seated Male Figure
Unrecorded maker
2nd–4th century · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
348 ms. The Metropolitan Museum of Art, Collection API (Open Access)
419 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 753 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated Male Figure
Unrecorded maker
2nd–4th century · Ceramic
Cleared · Public Domain
live
Two Seated Male Figures Within Spandrels
Andrea Schiavone (Andrea Meldola) (d. 1563)
16th century · Pen and brown ink, brush and brown wash, highlighted with white gouache, reworked with red chalk
Cleared · Public Domain
live
Seated male figure
Unrecorded maker
mid-16th century · Bronze
Cleared · Public Domain
live
Study of a seated male figure (Ecce Homo?)
Juan Carreño de Miranda (d. 1685)
ca. 1665–75 · Red chalk and charcoal
Cleared · Public Domain
live
Seated Male Nude
Louis de Boullogne the Younger (d. 1733)
1704 · Black chalk, heightened with white
Cleared · Public Domain
live
Crito
Jacques Louis David (d. 1825)
ca. 1786–87 · Black chalk, stumped, heightened with white chalk; squared in black chalk
Cleared · Public Domain
live
Seated Male Nude
Louis Lagrenée (d. 1805)
n.d. · Red chalk
Cleared · Public Domain
live
Study of Seated Male Figures for Sculpture Base (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
live
Study of Seated Male Figures for Sculpture Base (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Male Nude (Study for the Martyrdom of St. Lawrence)
Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)
1565–69 · Black chalk, glued onto secondary support
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Male Figures, Possible Study for "Hell"
John Singer Sargent (d. 1925)
ca. 1910 · Charcoal on white laid paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated male figure
Luluwa artist
19th–mid-20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.