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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    965 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 186 matching records exist across the two collections.

Results for "Study of Two Boats under Sail (from Sket"12 records

Institutions answered newest-first by record, interleaved

Model Paddling Boat by an unrecorded maker, The Metropolitan Museum of Art

Model Paddling Boat

Unrecorded maker

ca. 1981–1975 B.C. · Wood, paint, plaster, linen twine, linen fabric

Cleared · Public Domain

live
The MetSimilar
Model Sailboat by an unrecorded maker, The Metropolitan Museum of Art

Model Sailboat

Unrecorded maker

ca. 1981–1975 B.C. · Wood, paint, plaster, linen twine, linen fabric

Cleared · Public Domain

live
The MetSimilar
Model Sailing Boat Transporting a Mummy by an unrecorded maker, The Metropolitan Museum of Art

Model Sailing Boat Transporting a Mummy

Unrecorded maker

ca. 1900–1885 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica

Pietro da Cortona (Pietro Berrettini) (d. 1669)

1652 · Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints

Cleared · Public Domain

live
The MetSimilar
Marine Dabblers, part VI, plate 29 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Marine Dabblers, part VI, plate 29 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 1811 · Etching and mezzotint; first state of two

Cleared · Public Domain

live
The MetSimilar
The Mildmay Sea-Piece, part VIII, plate 40 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Mildmay Sea-Piece, part VIII, plate 40 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

February 11, 1812 · Etching and mezzotint; first state of four

Cleared · Public Domain

live
The MetSimilar
Inverary Castle and Town, Scotland, part XIII, plate 65 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Inverary Castle and Town, Scotland, part XIII, plate 65 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

January 1, 1816 · Etching and mezzotint; second state of three

Cleared · Public Domain

live
The MetSimilar
The Champions of the Mississippi – "A Race for the Buckhorns" by Frances Flora Bond Palmer, The Metropolitan Museum of Art

The Champions of the Mississippi – "A Race for the Buckhorns"

Frances Flora Bond Palmer (d. 1876)

1866 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Study of Two Boats under Sail (from Sketchbook X) by William Trost Richards, The Metropolitan Museum of Art

Study of Two Boats under Sail (from Sketchbook X)

William Trost Richards (d. 1905)

1885 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Fishing Boats, Key West by Winslow Homer, The Metropolitan Museum of Art

Fishing Boats, Key West

Winslow Homer (d. 1910)

1903 · Watercolor and graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Breaking up of the "Agamemnon," No. I

Sir Francis Seymour Haden (d. 1910)

1870 · Etching with drypoint; first state of two (Harrington); eighth state of eleven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Breaking up of the Agamemnon, No. I

Sir Francis Seymour Haden (d. 1910)

1870 · Etching and mezzotint; first state of two (Harrington); eighth state of eleven (Schneiderman)

In copyright

live
The MetSimilar

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2. Read the arithmetic

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