Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    374 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "Study of Two Heads"12 records

Institutions answered newest-first by record, interleaved

Two Female Heads by Abraham Bloemaert, The Cleveland Museum of Art

Two Female Heads

Abraham Bloemaert (d. 1651)

1600–1650 · Drawing, red chalk heightened with white chalk; framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Study for "The Romancer" (Le Conteur) by Jean-Antoine Watteau, The Cleveland Museum of Art

Study for "The Romancer" (Le Conteur)

Jean-Antoine Watteau (d. 1721)

c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right) by John Brown, The Cleveland Museum of Art

Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)

John Brown (d. 1787)

c. 1770–75 · Drawing, graphite and gray and black wash with point of brush

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sketches of Heads (verso, left); Two Women (verso, right) by John Brown, The Cleveland Museum of Art

Sketches of Heads (verso, left); Two Women (verso, right)

John Brown (d. 1787)

c. 1770–75 · Drawing, left: graphite; right: gray and black wash with point of brush and graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Boy Singing (Study for Music) by Luc-Olivier Merson, The Cleveland Museum of Art

Head of a Boy Singing (Study for Music)

Luc-Olivier Merson (d. 1920)

c. 1898 · Drawing, black, white, and red chalk with stumping, pricked for transfer

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso) by Peter Paul Rubens, The Cleveland Museum of Art

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens (d. 1640)

c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar
No. 6: Fountain with Two Tritons Blowing Conch Shells by Gabriel Huquier, The Cleveland Museum of Art

No. 6: Fountain with Two Tritons Blowing Conch Shells

Gabriel Huquier (d. 1772)

c. 1736 · Print, etching and engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Studies of a Seated Female, Child's Head, and Three Studies of a Baby by Raphael, The Cleveland Museum of Art

Studies of a Seated Female, Child's Head, and Three Studies of a Baby

Raphael (d. 1520)

c. 1507–8 · Drawing, metalpoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Studies of Hands (recto); Sketch of a Child's Head (verso) by Carletto Caliari, The Cleveland Museum of Art

Studies of Hands (recto); Sketch of a Child's Head (verso)

Carletto Caliari (d. 1596)

c. 1586 · Drawing, charcoal (stumped in places) heightened with white chalk; black chalk with pen and brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tomyris with the Head of Cyrus (verso) by Peter Paul Rubens, The Cleveland Museum of Art

Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens (d. 1640)

c. 1637–38 · Drawing, pen and brown ink, with black and red chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso) by Benozzo Gozzoli, The Cleveland Museum of Art

Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)

Benozzo Gozzoli (d. 1497)

c. 1458 · Drawing, metalpoint with point of brush and brown ink heightened with white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Feast of Herod (recto) by Peter Paul Rubens, The Cleveland Museum of Art

The Feast of Herod (recto)

Peter Paul Rubens (d. 1640)

c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.