Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    958 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    458 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 301 matching records exist across the two collections.

Results for "Study of a Flayed Torso (verso)"12 records

Institutions answered newest-first by record, interleaved

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso) by Anonymous, Italian, Florentine, 16th century, The Metropolitan Museum of Art

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)

Anonymous, Italian, Florentine, 16th century (d. 1600)

1530–40 · Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Study of a Flayed Torso (verso) by Bartolommeo da Arezzo, The Cleveland Museum of Art

Study of a Flayed Torso (verso)

Bartolommeo da Arezzo

1554 · Drawing, pen and brown ink and brush and brown wash over traces of black chalk; incised

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Study after Michelangelo's Giorno (recto and verso) by Jacopo Tintoretto (Jacopo Robusti), The Metropolitan Museum of Art

Study after Michelangelo's Giorno (recto and verso)

Jacopo Tintoretto (Jacopo Robusti) (d. 1594)

ca. 1550–55 · Black and white chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
Two Studies of a Flayed Man (recto) Study of a Flayed Torso (verso) by Bartolommeo da Arezzo, The Cleveland Museum of Art

Two Studies of a Flayed Man (recto) Study of a Flayed Torso (verso)

Bartolommeo da Arezzo

1554 · Drawing, pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Study for an Angel (recto); Study of a Cushion (verso) by Annibale Carracci, The Metropolitan Museum of Art

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Cleared · Public Domain

live
The MetSimilar
Study of Hands (recto); Study for a Reclining St. Francis (verso) by Daniele Crespi, The Metropolitan Museum of Art

Study of Hands (recto); Study for a Reclining St. Francis (verso)

Daniele Crespi (d. 1630)

ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)

Cleared · Public Domain

live
The MetSimilar
The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso) by Peter Paul Rubens, The Metropolitan Museum of Art

The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso)

Peter Paul Rubens (d. 1640)

1597–1640 · Pen and brown ink (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Study of St. John (recto); Study of a Warrior (verso) by Eugenio Cajés, The Metropolitan Museum of Art

Study of St. John (recto); Study of a Warrior (verso)

Eugenio Cajés (d. 1634)

17th century · Red chalk with brush and red wash (recto and verso)

Cleared · Public Domain

live
The MetSimilar
Portrait of a Man (recto); A Male Torso in Jacket and the Head of a Child (verso) by Giuseppe Ghislandi ("Fra Vittore Galgario"), The Metropolitan Museum of Art

Portrait of a Man (recto); A Male Torso in Jacket and the Head of a Child (verso)

Giuseppe Ghislandi ("Fra Vittore Galgario") (d. 1743)

1740s · Red chalk highlighted with white chalk (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso) by William Hamilton, The Metropolitan Museum of Art

Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso)

William Hamilton (d. 1801)

1770–80 · Recto: pen and black ink, brush and brown wash and watercolor, over graphite Verso: pen and black ink, brush and wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Study of a Tree; verso: Study of Houses by Ernst Ferdinand Oehme, The Metropolitan Museum of Art

Study of a Tree; verso: Study of Houses

Ernst Ferdinand Oehme (d. 1855)

1832 · Graphite

Cleared · Public Domain

live
The MetSimilar
Study of a Willowherb; verso: Study of Two Cows by Carl Gustav Carus, The Metropolitan Museum of Art

Study of a Willowherb; verso: Study of Two Cows

Carl Gustav Carus (d. 1869)

1858 (?) · Graphite, brush and gray ink; verso: graphite

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.