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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    260 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    312 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 3,214 matching records exist across the two collections.

Results for "Study of a Horse (recto); Study of a Sta"12 records

Institutions answered newest-first by record, interleaved

Study of a Scene of Martyrdom (recto); Study of Three Figures (verso) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, brush and brown wash on red washed paper (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Study for an Angel (recto); Study of a Cushion (verso) by Annibale Carracci, The Metropolitan Museum of Art

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Cleared · Public Domain

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The MetSimilar
Study of Hands (recto); Study for a Reclining St. Francis (verso) by Daniele Crespi, The Metropolitan Museum of Art

Study of Hands (recto); Study for a Reclining St. Francis (verso)

Daniele Crespi (d. 1630)

ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)

Cleared · Public Domain

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The MetSimilar
Study of a Palm Tree (recto); Mountain Landscape (verso) by Nicolas Poussin, The Metropolitan Museum of Art

Study of a Palm Tree (recto); Mountain Landscape (verso)

Nicolas Poussin (d. 1665)

ca. 1635–40 · Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Study of St. John (recto); Study of a Warrior (verso) by Eugenio Cajés, The Metropolitan Museum of Art

Study of St. John (recto); Study of a Warrior (verso)

Eugenio Cajés (d. 1634)

17th century · Red chalk with brush and red wash (recto and verso)

Cleared · Public Domain

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The MetSimilar
The Rescue of a Drowned Man (recto); Study of a Horse (verso) by Théodore Géricault, The Metropolitan Museum of Art

The Rescue of a Drowned Man (recto); Study of a Horse (verso)

Théodore Géricault (d. 1824)

ca. 1817–18 · Pen and brown ink

Cleared · Public Domain

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The MetSimilar
Study of a Tree; verso: Study of Houses by Ernst Ferdinand Oehme, The Metropolitan Museum of Art

Study of a Tree; verso: Study of Houses

Ernst Ferdinand Oehme (d. 1855)

1832 · Graphite

Cleared · Public Domain

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The MetSimilar
Study of a Horse by Eugène Delacroix, The Metropolitan Museum of Art

Study of a Horse

Eugène Delacroix (d. 1863)

ca. 1824–29 · Brush and brown and black wash over graphite

Cleared · Public Domain

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The MetSimilar
Study of a Horse by James McNeill Whistler, The Metropolitan Museum of Art

Study of a Horse

James McNeill Whistler (d. 1903)

1895 · Transfer lithograph; only state (Chicago); printed in black ink on machine-made ivory wove paper

Cleared · Public Domain

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The MetSimilar
Man Leading a Horse (recto); Study of a Man (verso) by Umberto Boccioni, The Metropolitan Museum of Art

Man Leading a Horse (recto); Study of a Man (verso)

Umberto Boccioni (d. 1916)

1910 · Graphite on paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of a Horse (recto); Study of a Standing Horse (verso)

Jacques Callot (d. 1635)

1635 · Quill and reed pen and iron gall ink; minor evidence of leadpoint or graphite tracing of the standing horse visible on the recto

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of a Horse

Auguste Raffet (d. 1860)

1859 · Lithograph on chine

In copyright

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The MetSimilar

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