Study of a Man's Head
Jacopo da Pontormo (Jacopo Carucci) (d. 1556)
1520–25 · Red chalk; stumping
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
521 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
299 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 274 matching records exist across the two collections.
Results for "Study of a Man's Forearm (recto); Study"10 records
Institutions answered newest-first by record, interleaved
Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso)
Marcello Fogolino (d. 1548)
1483–1548 · Pen and brown ink, brush and gray wash (the man on horseback), red chalk (the man's head at upper right) (recto); black chalk on blue-washed paper (verso)
Cleared · Public Domain
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Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)
Anonymous, Italian, 16th century (d. 1600)
16th century · Pen and brown ink, brush and brown wash on red washed paper (recto); pen and brown ink (verso)
Cleared · Public Domain
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Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci (d. 1609)
1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)
Cleared · Public Domain
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Study of Hands (recto); Study for a Reclining St. Francis (verso)
Daniele Crespi (d. 1630)
ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)
Cleared · Public Domain
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The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso)
Peter Paul Rubens (d. 1640)
1597–1640 · Pen and brown ink (recto); red chalk (verso)
Cleared · Public Domain
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Study of a Palm Tree (recto); Mountain Landscape (verso)
Nicolas Poussin (d. 1665)
ca. 1635–40 · Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
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Study of a Man's Forearm (recto); Study of Extended Arms with Hands Clasped (verso)
Umberto Boccioni (d. 1916)
ca. 1908 · Graphite on paper
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Horse (recto); Study of a Standing Horse (verso)
Jacques Callot (d. 1635)
1635 · Quill and reed pen and iron gall ink; minor evidence of leadpoint or graphite tracing of the standing horse visible on the recto
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Close-Up Study of a Man's Face]
Roy DeCarava (d. 2009)
1949 · Gelatin silver print
In copyright
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