Study of a Nude Woman, Seated Looking to the Right (recto)
Pierre-Paul Prud'hon (d. 1823)
c. 1810 · Drawing, black and white chalk (both stumped)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
801 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 18 matching records exist across the two collections.
Results for "Study of a Seated Woman"11 records
Institutions answered newest-first by record, interleaved
Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)
Pierre-Paul Prud'hon (d. 1823)
c. 1810 · Drawing, black and white chalk (both stumped)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Seated Woman Searching for Fleas
Adriaen van de Velde (d. 1672)
c. 1671 · Drawing, red chalk over black chalk; framing lines in pen and brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Sheet of Studies: Seated Man, Head of a Dog, Seated Woman
Claude-Joseph Vernet (d. 1789)
1700s · Drawing, red chalk (seated man); black chalk (head of a dog); pen and brown ink over black chalk (seated woman)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Study of a Male Nude (verso)
Pierre-Paul Prud'hon (d. 1823)
c. 1810 · Drawing, black and white chalk (both stumped)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of a Seated Woman
François-André Vincent (d. 1816)
18th-19th century · Drawing, Black chalk heightened with white chalk on brown paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Bust of a Woman, Seen from Behind
Adolph von Menzel (d. 1905)
1893 · Drawing, graphite (carpenter's pencil), with stumping
Cleared · CC0
liveCleveland Museum of ArtSimilar
Young Girl Seated on Straw, Leaning on a Basket
Edmond Bacot (d. 1875)
1862 · Photograph, albumen print from wet collodion negative
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Feast of Herod (recto)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.