A painting can be out of copyright and thephotograph of it can still be protected.

Study of a Standing Male Nude

Anonymous, Netherlandish, 16th century (d. 1600)

16th century · Pen and brown ink over black chalk

Study of a Standing Female Saint

Peter Paul Rubens (d. 1640)

n.d. · Brush and light brown wash, over a little black chalk, on light grayish paper; certain contours reinforced in pen and dark brown ink

Study of a Standing Commander Holding a Staff; verso: Study of the Descent from the Cross

Cornelis Schut (d. 1655)

early 17th–mid 17th century · Black chalk, brown wash, heightened with white gouache (?); verso: red chalk

Study of a Standing Youth

Moses ter Borch (d. 1667)

17th century · Red chalk

Study of a Standing Peasant

Adriaen van Ostade (d. 1685)

17th century · Black and white chalk on blue paper; framing lines in pen and brown ink

Study of a Nude Man Holding Bottles

Antoine Watteau (d. 1721)

ca. 1715–16 · Black, red, and white chalk.

Study of a Standing Woman

Angelica Kauffmann (d. 1807)

1792–96 · Black chalk, heightened with white chalk, on paper prepared with gray-blue gouache

Study of a Standing Figure

Romain Cazes (d. 1881)

1828–81 · Black chalk highlighted with white chalk

Study of a Horse (recto); Study of a Standing Horse (verso)

Jacques Callot (d. 1635)

1635 · Quill and reed pen and iron gall ink; minor evidence of leadpoint or graphite tracing of the standing horse visible on the recto

Study of a Standing Male Nude

Frederick William MacMonnies (d. 1937)

1885 · Graphite on paper, mounted on board

Study of a Standing Male Nude

Frederick William MacMonnies (d. 1937)

1885 · Graphite on paper, mounted on board

Study of a Standing Man

Arthur B. Davies (d. 1928)

1928 · Black and white pastel on gray wove paper