
Study of a Seated Peasant Woman, Viewed from Behind and to the Left
Herman Saftleven II (d. 1685)
1629–85 · Black chalk, with brush and brown wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
351 ms. The Metropolitan Museum of Art, Collection API (Open Access)
370 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,599 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study of a Seated Peasant Woman, Viewed from Behind and to the Left
Herman Saftleven II (d. 1685)
1629–85 · Black chalk, with brush and brown wash
Cleared · Public Domain
live
Dog (A Foxhound Viewed from Behind)
George Stubbs (d. 1806)
May 1, 1788 · Roulette work with etching; first and only state
Cleared · Public Domain
live
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)
Adélaïde Labille-Guiard (d. 1803)
1789 · Red, black, and white chalk on toned laid paper
Cleared · Public Domain
live
Study of a Standing Woman
Angelica Kauffmann (d. 1807)
1792–96 · Black chalk, heightened with white chalk, on paper prepared with gray-blue gouache
Cleared · Public Domain
live
Study of a Woman Viewed from Behind
Eugène Delacroix (d. 1863)
1833 · Etching; second state of five
Cleared · Public Domain
live
Study of a Woman Viewed from Behind
Eugène Delacroix (d. 1863)
1833 · Etching on chine collé; second state of four
Cleared · Public Domain
live
A woman putting on her saya, viewed from behind, from a group of drawings depicting Peruvian dress
Francisco (Pancho) Fierro (d. 1879)
ca. 1848 · Watercolor
Cleared · Public Domain
live
A woman wearing the saya viewed from behind, from a group of drawings depicting Peruvian dress
Francisco (Pancho) Fierro (d. 1879)
ca. 1848 · Watercolor
Cleared · Public Domain
live
Studies of a Seated Woman from Behind
Eduard Julius Friedrich Bendemann (d. 1889)
1811–89 · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A man and woman viewed from behind, he holds a cape and a broad-rimmed hat
Antonio Orellana
1861 [reprinted 1938] · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A man digging, viewed from behind
Rufino Tamayo (d. 1991)
ca. 1926–27 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A man standing viewed from behind
Pablo Esteban O'Higgins (d. 1983)
1936 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.