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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    381 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 198 matching records exist across the two collections.

Results for "Study of a seated male figure (Ecce Homo"12 records

Institutions answered newest-first by record, interleaved

Seated Figure of Mercury by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Seated Figure of Mercury

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–26 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Seated male figure by an unrecorded maker, The Metropolitan Museum of Art

Seated male figure

Unrecorded maker

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Two Studies of a Seated Male Nude by Jacopo da Pontormo (Jacopo Carucci), The Metropolitan Museum of Art

Two Studies of a Seated Male Nude

Jacopo da Pontormo (Jacopo Carucci) (d. 1556)

mid-16th century · Black chalk

Cleared · Public Domain

live
The MetSimilar
Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso) by Bernardino Poccetti, The Metropolitan Museum of Art

Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso)

Bernardino Poccetti (d. 1612)

1548–1612 · Charcoal with traces of white chalk highlights

Cleared · Public Domain

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The MetSimilar
Study of a seated male figure (Ecce Homo?) by Juan Carreño de Miranda, The Metropolitan Museum of Art

Study of a seated male figure (Ecce Homo?)

Juan Carreño de Miranda (d. 1685)

ca. 1665–75 · Red chalk and charcoal

Cleared · Public Domain

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The MetSimilar
Figure studies: seated and standing men by Salvator Rosa, The Metropolitan Museum of Art

Figure studies: seated and standing men

Salvator Rosa (d. 1673)

1615–73 · Pen and brown ink, over traces of black chalk

Cleared · Public Domain

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The MetSimilar
Seated Male Nude by Louis de Boullogne the Younger, The Metropolitan Museum of Art

Seated Male Nude

Louis de Boullogne the Younger (d. 1733)

1704 · Black chalk, heightened with white

Cleared · Public Domain

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The MetSimilar
Finished Academy Study of a Seated Male Figure by Giacomo Zoboli, The Metropolitan Museum of Art

Finished Academy Study of a Seated Male Figure

Giacomo Zoboli (d. 1767)

18th century · Black chalk, highlighted with white chalk

Cleared · Public Domain

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The MetSimilar
Crito by Jacques Louis David, The Metropolitan Museum of Art

Crito

Jacques Louis David (d. 1825)

ca. 1786–87 · Black chalk, stumped, heightened with white chalk; squared in black chalk

Cleared · Public Domain

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The MetSimilar
Seated Male Nude by Louis Lagrenée, The Metropolitan Museum of Art

Seated Male Nude

Louis Lagrenée (d. 1805)

n.d. · Red chalk

Cleared · Public Domain

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The MetSimilar
Seated Female Nude (recto); Standing Male Nude (verso) by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Seated Female Nude (recto); Standing Male Nude (verso)

Pierre Paul Prud'hon (d. 1823)

probably between 1810–20 · Black and white chalk, stumped, on blue paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated Male Nude (Study for the Martyrdom of St. Lawrence)

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

1565–69 · Black chalk, glued onto secondary support

In copyright

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The MetSimilar

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