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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    628 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 805 matching records exist across the two collections.

Results for "Study with Two Alternate Designs for a C"12 records

Institutions answered newest-first by record, interleaved

Two Alternate Designs for a Balustrade with Architectural Perspective by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Balustrade with Architectural Perspective

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with brown, gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; some dotted framing lines in pen and brown ink

Cleared · Public Domain

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The MetSimilar
The Holy Family with Saint John the Baptist and Saint Margaret by Filippino Lippi, The Cleveland Museum of Art

The Holy Family with Saint John the Baptist and Saint Margaret

Filippino Lippi (d. 1504)

c. 1488–93 · Painting, tempera and oil on wood

Cleared · CC0

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Cleveland Museum of ArtSimilar
Two Alternate Designs for a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

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The MetSimilar
Design for a Ceiling: Mars and Aries by an unrecorded maker, The Cleveland Museum of Art

Design for a Ceiling: Mars and Aries

Unrecorded maker

1700s · Drawing, pen and brown ink and brush and brown wash and watercolor, with gouache, over traces of graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Two Alternate Designs for a Church Façade by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Church Façade

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and green, dark yellow wash, over leadpoint, with ruled construction

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Door Frame by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Door Frame

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, over leadpoint or graphite, with ruled construction (recto); leadpoint or graphite (verso)

Cleared · Public Domain

live
The MetSimilar
Two Alternate designs for a Frame by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate designs for a Frame

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and black ink, brush and gray, yellow, and red wash over leadpoint, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two alternate Designs for a frame of door by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two alternate Designs for a frame of door

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash over leadpoint, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Frame or an Altar (?) by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Frame or an Altar (?)

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with gray and light brown wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink over graphite or lead point

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Pedentive by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Pedentive

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with brown, gray and mauve wash over leadpoint, with ruled and compass construction; framing outlines with pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Wall with a Frame for a Painting by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Wall with a Frame for a Painting

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and gray wash, over graphite or leadpoint, with ruled and compass construction; framing lines in pen and dark gray ink; scale, at bottom, in pen and gray ink

Cleared · Public Domain

live
The MetSimilar

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