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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    206 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 53 matching records exist across the two collections.

Results for "Suite of Vases: Plate 12"12 records

Institutions answered newest-first by record, interleaved

Mascarade à la Grecque; Suite des Vases; and [Cheminées] by Ennemond Alexandre Petitot, The Metropolitan Museum of Art

Mascarade à la Grecque; Suite des Vases; and [Cheminées]

Ennemond Alexandre Petitot (d. 1801)

1771, 1764 · Etching

Cleared · Public Domain

live
The MetSimilar
Suite of Vases:  Plate 12 by Jacques François Saly, The Cleveland Museum of Art

Suite of Vases: Plate 12

Jacques François Saly (d. 1776)

1746 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trophée médallique romain et de la solidité d'esprit, plate 12 from "Trophées médalliques des seigneurs de Rostaing"

Jean Le Pautre (d. 1682)

1661 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a vase with a fantastical creature and a putto, from Livre de Vases (Book of Vases), plate 12

A. Bouchet

1742–50 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plates 1 and 2 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plates 3 and 4 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Parlimentary Speech (Un Discours Parlementaire), plate III from the suite La Politique, published in La Caricature, June 12, 1842

Paul Gavarni [Chevalier] (d. 1866)

June 12, 1842 · Handcolored lithograph; third and final state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pardon, belle dame, si je croyais avoir acquis quelques droits à votre reconnaissance..., plate X from the suite Le Parfait Créancier, published in Le Charivari, October 12, 1847

Paul Gavarni [Chevalier] (d. 1866)

October 12, 1847 · Lithograph; second and last state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Floréal, Pl. 12

Emile-Allain Séguy (d. 1951)

1925 or earlier · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Idées 1, Plate 10

Maurice-Jacques-Yvan Camus

ca. 1933 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Idées 2, Plate 7

Georges Darcy (d. 1999)

ca. 1933 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Idées 2, Plate 9

Georges Darcy (d. 1999)

ca. 1933 · Pochoir

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.