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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    249 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    525 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 47 matching records exist across the two collections.

Results for "Suite of Vases: Plate 16"12 records

Institutions answered newest-first by record, interleaved

Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima" by Theodor van Kessel, The Metropolitan Museum of Art

Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"

Theodor van Kessel (d. 1660)

1646–52 · Etching

Cleared · Public Domain

live
The MetSimilar
Suite of Vases:  Plate 16 by Jacques François Saly, The Cleveland Museum of Art

Suite of Vases: Plate 16

Jacques François Saly (d. 1776)

1746 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mascarade à la Grecque; Suite des Vases; and [Cheminées] by Ennemond Alexandre Petitot, The Metropolitan Museum of Art

Mascarade à la Grecque; Suite des Vases; and [Cheminées]

Ennemond Alexandre Petitot (d. 1801)

1771, 1764 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Mendiante aux Béquilles (The Female Beggar with Crutches), plate 16 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragmens d'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partie d'un Bas relief antique sous le Portique du Palais Justinien, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Huitième Cahier du Recueil d'Ornemens: Plafond d'Entre Colonnement au Temple de Jupiter Tonnant (Ceiling Decoration between the Columns of the Temple of Jupiter in Rome)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Huitième Cahier du Recueil d'Ornemens: Soffite de l'Architrave de la Place de Nerva (Decoration on the Soffit of an Architrave on the Forum of Nerva)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plates 1 and 2 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plates 3 and 4 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Un Cataplasme Partagé, plate XXVII from the suite Impressions de Ménage, published in Le Charivari, October 16, 1843

Paul Gavarni [Chevalier] (d. 1866)

October 16, 1843 · Lithograph; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gueule pas!...j'cogne, plate III from the suite Chemin de Toulon, published in Le Charivari, August 16, 1846

Paul Gavarni [Chevalier] (d. 1866)

August 16, 1846 · Lithograph; second and last state

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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