
Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel (d. 1660)
1646–52 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
249 ms. The Metropolitan Museum of Art, Collection API (Open Access)
525 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 47 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel (d. 1660)
1646–52 · Etching
Cleared · Public Domain
live
Suite of Vases: Plate 16
Jacques François Saly (d. 1776)
1746 · Print, etching
Cleared · CC0
live![Mascarade à la Grecque; Suite des Vases; and [Cheminées] by Ennemond Alexandre Petitot, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP104573.jpg)
Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Ennemond Alexandre Petitot (d. 1801)
1771, 1764 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante aux Béquilles (The Female Beggar with Crutches), plate 16 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragmens d'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Partie d'un Bas relief antique sous le Portique du Palais Justinien, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Huitième Cahier du Recueil d'Ornemens: Plafond d'Entre Colonnement au Temple de Jupiter Tonnant (Ceiling Decoration between the Columns of the Temple of Jupiter in Rome)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Huitième Cahier du Recueil d'Ornemens: Soffite de l'Architrave de la Place de Nerva (Decoration on the Soffit of an Architrave on the Forum of Nerva)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 1 and 2 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Un Cataplasme Partagé, plate XXVII from the suite Impressions de Ménage, published in Le Charivari, October 16, 1843
Paul Gavarni [Chevalier] (d. 1866)
October 16, 1843 · Lithograph; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gueule pas!...j'cogne, plate III from the suite Chemin de Toulon, published in Le Charivari, August 16, 1846
Paul Gavarni [Chevalier] (d. 1866)
August 16, 1846 · Lithograph; second and last state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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