
Head of a solar deity
Maya artist(s)
600–900 CE · Volcanic tuff, mortar, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
429 ms. The Metropolitan Museum of Art, Collection API (Open Access)
459 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Head of a solar deity
Maya artist(s)
600–900 CE · Volcanic tuff, mortar, paint
Cleared · Public Domain
live
Cope made for Antonio Barberini (1607-1671), Grand Prior of Rome in the Order of Saint John and the Knights of Malta
Unrecorded maker
1623–28 · Embroidery in silk and metal thread, on lampas with four pattern wefts tied in twill weave, with applied gold fringes
Cleared · Public Domain
live
Coast View with Perseus and the Origin of Coral
Claude Lorrain (Claude Gellée) (d. 1682)
1674 · Pen and brown ink, brush and brown, blue and gray wash, heightened with white gouache
Cleared · Public Domain
live
Copying Maps, Photographic Headquarters, Petersburg, Virginia
Unknown
March 1865 · Albumen silver print from glass negative
Cleared · Public Domain
live![[Solar Eclipse from Caroline Island] by H. A. Lawrence, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15797-053.jpg)
[Solar Eclipse from Caroline Island]
H. A. Lawrence (d. 1890)
May 6, 1883 · Gelatin silver print
Cleared · Public Domain
live
Buffalo and Herdsman
Kawanabe Kyōsai 河鍋暁斎 (d. 1889)
ca. 1887 · Album leaf; ink and color on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sun Set, A View in Leicestershire (A Boy Employed in Burning Weeds)
James Ward (d. 1859)
1793 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Country Seats of the United States of North American, with Some Scenes Connected with Them
William Russell Birch (d. 1834)
1808 · Illustrations: etching, stipple and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Summer in the Country
Frances Flora Bond Palmer (d. 1876)
1865 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the Rondout
Frances Flora Bond Palmer (d. 1876)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Valley of the Ardennes
Sir David Young Cameron (d. 1945)
1907 · Etching and drypoint; second state of two
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.