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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    315 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Sunday on the Canal, from "Harper's Week"7 records

Institutions answered newest-first by record, interleaved

Scène près d'un étang au moulin du Petit-Mourmelon by Gustave Le Gray, The Metropolitan Museum of Art

Scène près d'un étang au moulin du Petit-Mourmelon

Gustave Le Gray (d. 1884)

1857 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Sunday at Chelsea Hospital, from "The Graphic," vol. 3 by Sir Hubert von Herkomer, The Metropolitan Museum of Art

Sunday at Chelsea Hospital, from "The Graphic," vol. 3

Sir Hubert von Herkomer (d. 1914)

February 18, 1871 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Sunday Walk, illustration to "Sally in Our Alley" by Edwin Austin Abbey, The Metropolitan Museum of Art

The Sunday Walk, illustration to "Sally in Our Alley"

Edwin Austin Abbey (d. 1911)

ca. 1886 · Pen and ink on cardboard

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

THE VALLEY OF / SHENANDOAH FROM / JEFFERSONS ROCK.

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunday on the Canal, from "Harper's Weekly"

Paul Frenzeny (d. 1902)

October 18, 1873 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (from the Perth Amboy series)

Rachel Harrison (d. 9999)

2000 · Chromogenic print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (from the Perth Amboy series)

Rachel Harrison (d. 9999)

2000 · Chromogenic print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.