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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    630 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    420 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 44 matching records exist across the two collections.

Results for "Sunset over Autumn Mountains"12 records

Institutions answered newest-first by record, interleaved

Tao Yuanming enjoying chrysanthemums by Du Jin, The Metropolitan Museum of Art

Tao Yuanming enjoying chrysanthemums

Du Jin (d. 1509)

late 15th or early 16th century · Hanging scrolls; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Sunset over Autumn Mountains by Hoashi Kyōu, The Cleveland Museum of Art

Sunset over Autumn Mountains

Hoashi Kyōu (d. 1884)

1869 · Painting, hanging scroll; ink and light color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Evening bell from mist-shrouded temple (left); Autumn moon over Lake Dongting (right) by An Gyeon, The Metropolitan Museum of Art

Evening bell from mist-shrouded temple (left); Autumn moon over Lake Dongting (right)

An Gyeon

ca. 1450–1500 · Pair of hanging scrolls; ink on silk

Cleared · Public Domain

live
The MetSimilar
Landscape by Sesson Shūkei, The Metropolitan Museum of Art

Landscape

Sesson Shūkei (d. 1589)

16th century · Six-panel folding screen; ink on paper

Cleared · Public Domain

live
The MetSimilar
Eight Views of the Xiao and Xiang Rivers by Kano Tsunenobu, The Metropolitan Museum of Art

Eight Views of the Xiao and Xiang Rivers

Kano Tsunenobu (d. 1713)

late 17th–early 18th century · Handscroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Seta no Sekisho.  Sunset, Seta.  Lake Biwa by Utagawa Hiroshige, The Metropolitan Museum of Art

Seta no Sekisho. Sunset, Seta. Lake Biwa

Utagawa Hiroshige (d. 1858)

ca. 1835 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Study of trees by a mountain stream by William James Müller, The Metropolitan Museum of Art

Study of trees by a mountain stream

William James Müller (d. 1845)

1833–45 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques, stopping out, and gum arabic on blue-gray card

Cleared · Public Domain

live
The MetSimilar
Orchid Pavilion Gathering; Autumn Harvest Festival by Ike no Taiga, The Metropolitan Museum of Art

Orchid Pavilion Gathering; Autumn Harvest Festival

Ike no Taiga (d. 1776)

ca. 1763 · Pair of six-panel folding screens; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Indian Lake—Sunset

Benedikt Franz Hess (d. 1870)

1860 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Early Autumn in the Catskills

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

October Landscape

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Woods in Autumn

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.