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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    259 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    289 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Susannah Brought to Trial by the Elders,"12 records

Institutions answered newest-first by record, interleaved

Young Boy, Member of the Family of Pio di Savoia, Counts of Carpi by an unrecorded maker, The Metropolitan Museum of Art

Young Boy, Member of the Family of Pio di Savoia, Counts of Carpi

Unrecorded maker

16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Susanna and the Elders (recto); Architectural design and other scribbles (verso) by Giovanni Battista Pittoni, The Metropolitan Museum of Art

Susanna and the Elders (recto); Architectural design and other scribbles (verso)

Giovanni Battista Pittoni (d. 1767)

ca. 1720 · Red and black chalks

Cleared · Public Domain

live
The MetSimilar
Répresentation Exacte du Grand Collier en Brillants des Srs. Boëhmer et Bassenge by Nicolas Antoine Taunay, The Metropolitan Museum of Art

Répresentation Exacte du Grand Collier en Brillants des Srs. Boëhmer et Bassenge

Nicolas Antoine Taunay (d. 1830)

ca. 1785 · Etching

Cleared · Public Domain

live
The MetSimilar
Ceremonial Textile (Tampan) by Lampung artist, The Metropolitan Museum of Art

Ceremonial Textile (Tampan)

Lampung artist

19th century · Cotton

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Susannah Brought to Trial by the Elders, from "The Story of Susannah"

Jan Collaert I (d. 1581)

16th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Massacre in St. George's Field and Boston, etc. [eleven political pamphlets]

George Kearsley (d. 1790)

1768–70 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Mouth of a Brook, No. 1

Sir Francis Seymour Haden (d. 1910)

1859 · Etching and drypoint; trial proof b (Harrington); second state of two (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hall of Enma, the King of Hell

Tomioka Tessai (d. 1924)

1919 · Hanging scroll; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ofika (hanging figure)

Mbole artist

19th–early 20th century · Wood, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

D’mba (great mother) headdress

Baga artist

late 19th–first half of 20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wanyugo (helmet mask with two faces)

Senufo artist

Late 19th–mid-20th century · Wood, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ofika (hanging figure)

Mbole artist

19th–mid-20th century · Wood, pigment

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.