Roundel with Susannah and The Elders
Pseudo-Ortkens (d. 1530)
ca. 1520 · Colorless glass, vitreous paint and silver stain
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
58 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
16 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 266 matching records exist across the two collections.
Results for "Susannah and the Elders before Daniel"12 records
Institutions answered newest-first by record, interleaved
Susannah and the Elders before Daniel
Pomponio Amalteo (d. 1588)
1530–40 · Pen and brown ink, brush and brown wash, highlighted with white, over a little black chalk, on gray-green paper. The head of the woman with outstretched arm, to the right of Susanna, is a pentimento that has been pasted onto the sheet. Squared in black chalk
Cleared · Public Domain
liveThe MetSimilar
Susannah and the Elders
Unrecorded maker
16th century · Stained glass
Cleared · Public Domain
liveThe MetSimilar
Susannah and the Elders
Unrecorded maker
mid-17th century · Silk on canvas
Cleared · Public Domain
liveThe MetSimilar
Susanna and the Elders (recto); Architectural design and other scribbles (verso)
Giovanni Battista Pittoni (d. 1767)
ca. 1720 · Red and black chalks
Cleared · Public Domain
liveThe MetSimilar
Daniel argues with the elders while Susanna stands at left
Pietro Monaco (d. 1772)
1732–50 · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
Susannah and the Elders
Anonymous, German, 19th century (d. 1899)
19th century · Pen and bistre, washed and touched with white
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large Altar Tabernacle with the Holy Kinship, the Crucifixion, and the Resurrection
Daniel Hopfer (d. 1536)
ca. 1518 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Susannah and the Elders
Giovanni Battista Pasqualini (d. 1631)
1628 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Susannah and the Elders
Johann Alram (d. 1890)
1809 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Susanna and the elders before Daniel
Stefano Piali (d. 1835)
ca. 1775–1835 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Window
Daniel Cottier (d. 1891)
ca. 1875–83 · Glass, lead
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.