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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    7371 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,050 matching records exist across the two collections.

Results for "Swallow and Camellia"10 records

Institutions answered newest-first by record, interleaved

Swallow amulet by an unrecorded maker, The Metropolitan Museum of Art

Swallow amulet

Unrecorded maker

664–380 BCE · Gold sheet

Cleared · Public Domain

live
The MetSimilar
Swallow amulet by an unrecorded maker, The Metropolitan Museum of Art

Swallow amulet

Unrecorded maker

664–380 BCE · Gold sheet

Cleared · Public Domain

live
The MetSimilar
Swallow amulet by an unrecorded maker, The Metropolitan Museum of Art

Swallow amulet

Unrecorded maker

664–380 BCE · Gold sheet

Cleared · Public Domain

live
The MetSimilar
Warbler and Camellia by Totoya Hokkei, The Metropolitan Museum of Art

Warbler and Camellia

Totoya Hokkei (d. 1850)

ca. 1815–20 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Camellia and Bullfinch by Utagawa Hiroshige, The Metropolitan Museum of Art

Camellia and Bullfinch

Utagawa Hiroshige (d. 1858)

ca. 1833 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Camellia and Bird by Utagawa Hiroshige, The Metropolitan Museum of Art

Camellia and Bird

Utagawa Hiroshige (d. 1858)

ca. 1833 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Camellia and Finch by Utagawa Hiroshige, The Metropolitan Museum of Art

Camellia and Finch

Utagawa Hiroshige (d. 1858)

ca. 1840 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Peony and Swallow by Tsubaki Chinzan, The Metropolitan Museum of Art

Peony and Swallow

Tsubaki Chinzan (d. 1854)

1854 · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Swallow and Camellia by Itō Jakuchū, The Metropolitan Museum of Art

Swallow and Camellia

Itō Jakuchū (d. 1800)

ca. 1900 · Reproduction of an original Jakuchū design; woodblock print, ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Magpie and Swallow

Anthony La Paglia (d. 1993)

ca. 1920–45 · Woodcut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.