
Angel of the Annunciation
Jean de Liège (d. 1381)
ca. 1370–90 · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
213 ms. The Metropolitan Museum of Art, Collection API (Open Access)
330 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Angel of the Annunciation
Jean de Liège (d. 1381)
ca. 1370–90 · Marble
Cleared · Public Domain
live
Charity
Claudius Floris
1536–1547/48 · Alabaster, traces of gilding
Cleared · Public Domain
live
Table clock
Bartholomew Newsam (d. 1587)
1580–85 · Case: engraved, chased, and gilded brass; dial: silver; movement: brass and steel
Cleared · Public Domain
live
Saint Benedict Orders the Destruction of Idols at Montecassino
Gaspare Serenario (d. 1759)
1694–1759 · Pen and brown ink, brush and brown wash, highlighted with yellow and white gouache, over black chalk or leadpoint, on beige paper
Cleared · Public Domain
live
Tintern Abbey, from "Remarks on a Tour to North and South Wales, in the year 1797"
John Hill (d. 1775)
January 1, 1800 · Etching and aquatint
Cleared · Public Domain
live
Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery
William Henry Fox Talbot (d. 1877)
October 14, 1840 · Salted paper print from paper negative
Cleared · Public Domain
live
Rivaulx Abbey. General View from the South
Joseph Cundall (d. 1895)
1850s · Albumen silver print
Cleared · Public Domain
live
The Capture of Andre by John Paulding, David Williams and Isaac Van Wart, at Tarrytown, New York, September 23, 1780
Currier & Ives (d. 1907)
1876 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
English Country Seats
Johannes Kip (d. 1722)
1712–24 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sweatheart Abbey, from the South
Unknown
1860s–80s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Through South America
Margaret Neilson Armstrong (d. 1944)
1912
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.