
An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder
Torii Kiyomasu I (d. 1716)
ca. 1705 · Woodblock print; ink and color on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
660 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 89 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder
Torii Kiyomasu I (d. 1716)
ca. 1705 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
The Valley of the Tyne, My Native Country near Henshaw
John Martin (d. 1854)
1842 · Drawing, watercolor, gouache and gum arabic with graphite underdrawing, sanding, and scraping
Cleared · CC0
live
Beautiful Woman
Kaigetsudō Dohan (d. 1716)
early 18th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Kaalat el Athlit, Syria, View from the Seaside
Louis de Clercq (d. 1901)
1859 · Photograph, albumen print from calotype negatives
Cleared · CC0
live
Mrs. Olin Levi Warner
Olin Levi Warner (d. 1896)
1886–87, cast 1897–98 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Change of Position
Anton Giulio Bragaglia (d. 1960)
1911 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Toque
The Metropolitan Millinery Importer
ca. 1910 · straw, bird, feathers, silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Circus Tent
Edward Weston (d. 1958)
1924 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
First half of 20th century · Wood, beads, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black, White, and Gray
Franz Kline (d. 1962)
1959 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ex-Papaya
Gabriel Orozco (d. 9999)
1993, printed 2000 · Silver dye bleach print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dog Circle
Gabriel Orozco (d. 9999)
1995 · Silver dye bleach print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.