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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    409 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    269 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 416 matching records exist across the two collections.

Results for "Swept frame"12 records

Institutions answered newest-first by record, interleaved

Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

1735–40 · Oak lower moldings and feather keys; lime upper moldings.

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman in Blue by Peter Cross, The Cleveland Museum of Art

Portrait of a Woman in Blue

Peter Cross (d. 1724)

c. 1700 · Portrait Miniature, watercolor on vellum in original ivory frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

ca. 1735–45 · Oak lower moldings; lime upper moldings. Carved, gilt; orange bole.

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

1740s · Lime with oak feather keys

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

1745–50 · Oak lower moldings and feather keys; lime upper moldings.

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

1745–50 · Oak

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

ca. 1750 · Oak

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

1752–55 · Oak lower moldings and feather keys; lime upper moldings. Carved, gilt; orange bole.

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

ca. 1755 · Oak lower moldings and feather keys; lime upper moldings.

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

1750–60 · Oak and lime

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

mid-18th century (style French, ca. 1735) · Oak lower moldings and feather keys; lime upper moldings

Cleared · Public Domain

live
The MetSimilar
Swept frame by an unrecorded maker, The Metropolitan Museum of Art

Swept frame

Unrecorded maker

1870–1900 (style ca. 1755) · Oak and lime

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.