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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1547 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    406 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 89 matching records exist across the two collections.

Results for "TILA (Passage I)"12 records

Institutions answered newest-first by record, interleaved

Offering table from the mortuary temple of Amenemhat I by an unrecorded maker, The Metropolitan Museum of Art

Offering table from the mortuary temple of Amenemhat I

Unrecorded maker

ca. 1981–1952 B.C. · Granite

Cleared · Public Domain

live
The MetSimilar
Heqanakht Letter I by an unrecorded maker, The Metropolitan Museum of Art

Heqanakht Letter I

Unrecorded maker

ca. 1961–1917 B.C. · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Fragment of a Sarcophagus with Putti in a Grapevine by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Sarcophagus with Putti in a Grapevine

Unrecorded maker

3rd–4th century · Marble

Cleared · Public Domain

live
The MetSimilar
"Sakyamuni (Buddha) Announces Another Prophet", Folio from a Majma al-Tavarikh (Compendium of Histories) by Hafiz-i Abru, The Metropolitan Museum of Art

"Sakyamuni (Buddha) Announces Another Prophet", Folio from a Majma al-Tavarikh (Compendium of Histories)

Hafiz-i Abru (d. 1430)

ca. 1425 · Opaque watercolor, silver, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Johann I (1468–1532), the Constant, Elector of Saxony by Lucas Cranach the Elder and Workshop, The Metropolitan Museum of Art

Johann I (1468–1532), the Constant, Elector of Saxony

Lucas Cranach the Elder and Workshop (d. 1553)

1532–33 · Oil on beech, with letterpress-printed paper labels

Cleared · Public Domain

live
The MetSimilar
A River Landscape with the Baptism of the Eunuch by Hendrick Hondius I, The Metropolitan Museum of Art

A River Landscape with the Baptism of the Eunuch

Hendrick Hondius I (d. 1650)

ca. 1605–25 · Pen and brown ink, brown and blue wash

Cleared · Public Domain

live
The MetSimilar
Passage from Tao Qian's "Returning Home" by Dong Qichang, The Metropolitan Museum of Art

Passage from Tao Qian's "Returning Home"

Dong Qichang (d. 1636)

1636 · Folding fan mounted as an album leaf; ink on gold paper

Cleared · Public Domain

live
The MetSimilar
Quoit (<i>Chakra</i>) by an unrecorded maker, The Metropolitan Museum of Art

Quoit (<i>Chakra</i>)

Unrecorded maker

18th–19th century · Steel, gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'oiseau de passage, from Les Partageuses, Masques et Visages, plate 20, bound in Oeuvres Nouvelles, vol. I

Paul Gavarni [Chevalier] (d. 1866)

1853 · Lithograph; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Passage I

Jasper Johns (d. 9999)

1966 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Winjana Gorge, Kimberleys, I

Fred Williams (d. 1982)

1981 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

TILA (Passage I)

Pertti Kekarainen (d. 9999)

2006 · Chromogenic print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.