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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1539 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 67 matching records exist across the two collections.

Results for "Tabernacle door with the risen Christ"12 records

Institutions answered newest-first by record, interleaved

Tabernacle by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle

Unrecorded maker

ca. 1200–1210 · Gilded copper with champlevé enamel

Cleared · Public Domain

live
The MetSimilar
Tabernacle of Cherves by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle of Cherves

Unrecorded maker

ca. 1220–1230 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ

Unrecorded maker

ca. 1275–1300 · Ivory with traces of original gilding and polychromy; silver hinges.

Cleared · Public Domain

live
The MetSimilar
Tabernacle with Crucifixion Scene by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle with Crucifixion Scene

Unrecorded maker

mid or third quarter 14th century · Wood (poplar and oak), paint and gilding

Cleared · Public Domain

live
The MetSimilar
Diptych with tabernacle frames by an unrecorded maker, The Metropolitan Museum of Art

Diptych with tabernacle frames

Unrecorded maker

ca. 1400–1410 · Poplar. Carved, gilt; red-orange bole.

Cleared · Public Domain

live
The MetSimilar
Tabernacle frame by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle frame

Unrecorded maker

ca. 1406 · Spruce. Gilt; orange bole.

Cleared · Public Domain

live
The MetSimilar
The Risen Christ between Saints Andrew and Longinus by Andrea Mantegna, The Metropolitan Museum of Art

The Risen Christ between Saints Andrew and Longinus

Andrea Mantegna (d. 1506)

ca. 1475 · Engraving

Cleared · Public Domain

live
The MetSimilar
Risen Christ by an unrecorded maker, The Metropolitan Museum of Art

Risen Christ

Unrecorded maker

early 16th century · Copper alloy with gilt obverse and the reverse with a brown natural patina; pierced in each corner.

Cleared · Public Domain

live
The MetSimilar
Pax with the Risen Christ Appearing to the Apostles by Guglielmo della Porta, The Metropolitan Museum of Art

Pax with the Risen Christ Appearing to the Apostles

Guglielmo della Porta (d. 1577)

1566–77 · Gilt bronze

Cleared · Public Domain

live
The MetSimilar
Tabernacle door with the risen Christ by Pietro Paolo Nardi, The Metropolitan Museum of Art

Tabernacle door with the risen Christ

Pietro Paolo Nardi

mid-17th century · Bronze, fire-gilt; iron (lock mechanism)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bell rubbing with the Risen Christ, from Schloss Fröliche Wiederkunft, Wolfersdorf, Germany

Unrecorded maker

19th–20th century [bell dated 1490] · Charcoal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Surrexit (Christ is risen)

Sybil Andrews (d. 1992)

1957 · Color linocut

In copyright

live
The MetSimilar

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