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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    360 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 1,240 matching records exist across the two collections.

Results for "Tabernacle ornamented with the Christ an"12 records

Institutions answered newest-first by record, interleaved

Tabernacle by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle

Unrecorded maker

ca. 1200–1210 · Gilded copper with champlevé enamel

Cleared · Public Domain

live
The MetSimilar
Tabernacle of Cherves by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle of Cherves

Unrecorded maker

ca. 1220–1230 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ

Unrecorded maker

ca. 1275–1300 · Ivory with traces of original gilding and polychromy; silver hinges.

Cleared · Public Domain

live
The MetSimilar
Tabernacle with Crucifixion Scene by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle with Crucifixion Scene

Unrecorded maker

mid or third quarter 14th century · Wood (poplar and oak), paint and gilding

Cleared · Public Domain

live
The MetSimilar
Diptych with tabernacle frames by an unrecorded maker, The Metropolitan Museum of Art

Diptych with tabernacle frames

Unrecorded maker

ca. 1400–1410 · Poplar. Carved, gilt; red-orange bole.

Cleared · Public Domain

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The MetSimilar
Tabernacle frame by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle frame

Unrecorded maker

ca. 1406 · Spruce. Gilt; orange bole.

Cleared · Public Domain

live
The MetSimilar
Tabernacle frame by del Tasso, The Metropolitan Museum of Art

Tabernacle frame

del Tasso

ca. 1530 · Walnut. Carved, luminolegno.

Cleared · Public Domain

live
The MetSimilar
Tabernacle door with the risen Christ by Pietro Paolo Nardi, The Metropolitan Museum of Art

Tabernacle door with the risen Christ

Pietro Paolo Nardi

mid-17th century · Bronze, fire-gilt; iron (lock mechanism)

Cleared · Public Domain

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The MetSimilar
Design for a Tabernacle, plate 1 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 1 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle, plate 2 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 2 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle, plate 3 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 3 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Tabernacle, plate 4 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 4 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar

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