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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    819 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 87 matching records exist across the two collections.

Results for "Tail Piece to Volume Three: The Genii of"12 records

Institutions answered newest-first by record, interleaved

Plate with reclining zebu by an unrecorded maker, The Metropolitan Museum of Art

Plate with reclining zebu

Unrecorded maker

ca. late 3rd–early 2nd millennium BCE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Horus amulet in the shape of a falcon with the double crown by an unrecorded maker, The Metropolitan Museum of Art

Horus amulet in the shape of a falcon with the double crown

Unrecorded maker

ca. 1080–664 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Brooch in the form of a stag by an unrecorded maker, The Metropolitan Museum of Art

Brooch in the form of a stag

Unrecorded maker

ca. late 3rd–early 4th century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Inkwell with three putti by Francesco Bertos, The Metropolitan Museum of Art

Inkwell with three putti

Francesco Bertos (d. 1741)

probably 1738 · Bronze, with remains of black lacquer

Cleared · Public Domain

live
The MetSimilar
The cabinet-makers' London book of prices, and designs of cabinet work, calculated for the convenience of cabinet makers in general, whereby the price of executing any piece of work may be easily found by London Society of Cabinet Makers, The Metropolitan Museum of Art

The cabinet-makers' London book of prices, and designs of cabinet work, calculated for the convenience of cabinet makers in general, whereby the price of executing any piece of work may be easily found

London Society of Cabinet Makers

1793

Cleared · Public Domain

live
The MetSimilar
Manjushri, the Bodhisattva of Transcendent Wisdom by an unrecorded maker, The Metropolitan Museum of Art

Manjushri, the Bodhisattva of Transcendent Wisdom

Unrecorded maker

17th–18th century · Silk appliqué with damask, satin, brocade, and leather substrate with silver finish and embroidery with silk cord

Cleared · Public Domain

live
The MetSimilar
Tail Piece to Volume Three: The Genii of Caricature Bringing in Fresh Supplies by Thomas Rowlandson, The Metropolitan Museum of Art

Tail Piece to Volume Three: The Genii of Caricature Bringing in Fresh Supplies

Thomas Rowlandson (d. 1827)

ca. 1809 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunk Relief Fragment with the Place Name Semenu

Unrecorded maker

ca. 1971–1926 B.C. · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Holly Field

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; first (final) state (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Darktown Law Suit--Cheerful Milker, "De Plaintiff has de head and de defendant de tail but I git de cream all de time."

John Cameron (d. 1896)

1886 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Page, Volume 1

Edward Gordon Craig (d. 1966)

1898 · Illustrations: woodcuts, some hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Page, Volume 2

Edward Gordon Craig (d. 1966)

1899 · Illustrations: woodcuts, some hand-colored

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.