
Chariots with Court Ladies
Unrecorded maker
ca. 1347–1330 BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
508 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 964 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Chariots with Court Ladies
Unrecorded maker
ca. 1347–1330 BCE · Limestone, paint
Cleared · Public Domain
live
Taking Up the Eel Net
Peter Henry Emerson (d. 1936)
1886 · Photograph, platinum print
Cleared · CC0
live
Costume Design for Pages or Squirs Tending to the Horses
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink over red chalk
Cleared · Public Domain
live
River and Mountains on a Clear Autumn Day
Dong Qichang (d. 1636)
c. 1624–27 · Painting, Handscroll; ink on Korean paper
Cleared · CC0
live
Taking Up a Fare – "All the World's A Stage"
John Doyle (d. 1868)
May 24, 1837 · Lithograph
Cleared · Public Domain
live
Taking Up the Net
Thomas Eakins (d. 1916)
1881 · Watercolor on off-white wove paper
Cleared · Public Domain
live
Design for a Cup(?) with a Man Putting up a Net
Anonymous, German, 19th century (d. 1899)
19th century · Pen and black ink over traces of black chalk. Incised for transfer.
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man Taking Up His Cross and Following Christ, from The Lord's Prayer, plate 3
Jan (Johannes) Wierix (d. 1615)
1571 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man Taking Up His Cross and Following Christ, from The Lord's Prayer, plate 3
Jan (Johannes) Wierix (d. 1615)
1571 · Engraving, first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of a young woman with her hair pinned up
Wenceslaus Hollar (d. 1677)
1645 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Coon Club Hunt: "Taking a Header"
Currier & Ives (d. 1907)
1885 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait as a Photographer
Yasuo Kuniyoshi (d. 1953)
1924 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.