Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    5373 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 111 matching records exist across the two collections.

Results for "Tall Jar with Crosshatch Designs"9 records

Institutions answered newest-first by record, interleaved

Terracotta pithoid jar by an unrecorded maker, The Metropolitan Museum of Art

Terracotta pithoid jar

Unrecorded maker

ca. 1300–1190 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Jar and tall perforated stand by an unrecorded maker, The Metropolitan Museum of Art

Jar and tall perforated stand

Unrecorded maker

mid-5th century · Stoneware with traces of incidental ash glaze

Cleared · Public Domain

live
The MetSimilar
Tall Jar with Crosshatch Designs by an unrecorded maker, The Metropolitan Museum of Art

Tall Jar with Crosshatch Designs

Unrecorded maker

1st–6th century · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Pharmacy jar (albarello) by an unrecorded maker, The Metropolitan Museum of Art

Pharmacy jar (albarello)

Unrecorded maker

ca. 1475–1500 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Urpu (jar) by Inca artist(s), The Metropolitan Museum of Art

Urpu (jar)

Inca artist(s)

1400–1535 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Jar with Scrolling Vine and Gourds by an unrecorded maker, The Metropolitan Museum of Art

Jar with Scrolling Vine and Gourds

Unrecorded maker

15th–16th century · Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware)

Cleared · Public Domain

live
The MetSimilar
Jar with cover by Worcester factory, The Metropolitan Museum of Art

Jar with cover

Worcester factory (d. 2008)

ca. 1770 · Soft-paste porcelain decorated in polychrome enamels, gold, underglaze blue ground

Cleared · Public Domain

live
The MetSimilar
Tall Freshwater Jar (Hoso-mizusashi) with Striped Design by an unrecorded maker, The Metropolitan Museum of Art

Tall Freshwater Jar (Hoso-mizusashi) with Striped Design

Unrecorded maker

late 18th century · Porcelain with cobalt blue under transparent glaze (Hizen ware, Arita type)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

High Tide Comes In (Shiomitsu)

Osumi Yukie 大角幸枝 (d. 9999)

2007 · Hammered silver with nunomezōgan (textile imprint inlay) in lead and gold

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.