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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1445 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 63 matching records exist across the two collections.

Results for "Tamar Turned Out of Amnon's House, from"12 records

Institutions answered newest-first by record, interleaved

Lobed bowl with a royal inscription by an unrecorded maker, The Metropolitan Museum of Art

Lobed bowl with a royal inscription

Unrecorded maker

ca. 465–424 BCE · Silver

Cleared · Public Domain

live
The MetSimilar
Tamar Turned Out of Amnon's House by Heinrich Aldegrever, The Metropolitan Museum of Art

Tamar Turned Out of Amnon's House

Heinrich Aldegrever (d. 1561)

1540 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
Tamar Turned Out of Amnon's House, from "The Story of Amnon and Tamar" by Heinrich Aldegrever, The Metropolitan Museum of Art

Tamar Turned Out of Amnon's House, from "The Story of Amnon and Tamar"

Heinrich Aldegrever (d. 1561)

1540 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Easterly Winds, or Scudding Under Bare Poles by Thomas Rowlandson, The Metropolitan Museum of Art

Easterly Winds, or Scudding Under Bare Poles

Thomas Rowlandson (d. 1827)

May 10, 1810 · Hand-colored etching; reprint

Cleared · Public Domain

live
The MetSimilar
Culver Cliff, Isle of Wight by William Dyce, The Metropolitan Museum of Art

Culver Cliff, Isle of Wight

William Dyce (d. 1864)

1847 · Watercolor, colored chalks and gouache (bodycolor) over graphite

Cleared · Public Domain

live
The MetSimilar
Figure (Yipwon) by an unrecorded maker, The Metropolitan Museum of Art

Figure (Yipwon)

Unrecorded maker

19th century or earlier · Wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coffin of Wedjarenes

Unrecorded maker

ca. 600–575 BCE · Wood (tamarisk and sycomore fig), paste, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tamar Turned Out of Amnon's House, plate 4 from "The Story of Tamar and Amnon"

Philips Galle (d. 1612)

1559 · Engraving; first state of three (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ball gown

House of Worth (d. 1956)

1900–1905 · silk, cotton, metallic thread, glass, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening dress

House of Dior (d. 9999)

fall/winter 1957 · silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coat

Yohji Yamamoto (d. 9999)

fall/winter 1986–87 · wool, silk, synthetic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hat

Gaultier Paris (d. 1997)

fall/winter 2006–7 · human hair, silk, cotton, metal

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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