
Lobed bowl with a royal inscription
Unrecorded maker
ca. 465–424 BCE · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1445 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 63 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lobed bowl with a royal inscription
Unrecorded maker
ca. 465–424 BCE · Silver
Cleared · Public Domain
live
Tamar Turned Out of Amnon's House
Heinrich Aldegrever (d. 1561)
1540 · Engraving; second state of two (New Hollstein)
Cleared · Public Domain
live
Tamar Turned Out of Amnon's House, from "The Story of Amnon and Tamar"
Heinrich Aldegrever (d. 1561)
1540 · Engraving; first state of two
Cleared · Public Domain
live
Easterly Winds, or Scudding Under Bare Poles
Thomas Rowlandson (d. 1827)
May 10, 1810 · Hand-colored etching; reprint
Cleared · Public Domain
live
Culver Cliff, Isle of Wight
William Dyce (d. 1864)
1847 · Watercolor, colored chalks and gouache (bodycolor) over graphite
Cleared · Public Domain
live
Figure (Yipwon)
Unrecorded maker
19th century or earlier · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coffin of Wedjarenes
Unrecorded maker
ca. 600–575 BCE · Wood (tamarisk and sycomore fig), paste, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tamar Turned Out of Amnon's House, plate 4 from "The Story of Tamar and Amnon"
Philips Galle (d. 1612)
1559 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ball gown
House of Worth (d. 1956)
1900–1905 · silk, cotton, metallic thread, glass, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening dress
House of Dior (d. 9999)
fall/winter 1957 · silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coat
Yohji Yamamoto (d. 9999)
fall/winter 1986–87 · wool, silk, synthetic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hat
Gaultier Paris (d. 1997)
fall/winter 2006–7 · human hair, silk, cotton, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.