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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    416 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Tamar Turned Out of Amnon's House, plate"12 records

Institutions answered newest-first by record, interleaved

Tamar Turned Out of Amnon's House by Heinrich Aldegrever, The Metropolitan Museum of Art

Tamar Turned Out of Amnon's House

Heinrich Aldegrever (d. 1561)

1540 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
Tamar Turned Out of Amnon's House, from "The Story of Amnon and Tamar" by Heinrich Aldegrever, The Metropolitan Museum of Art

Tamar Turned Out of Amnon's House, from "The Story of Amnon and Tamar"

Heinrich Aldegrever (d. 1561)

1540 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine by Bernardo Buontalenti (Bernardo delle Girandole), The Metropolitan Museum of Art

Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine

Bernardo Buontalenti (Bernardo delle Girandole) (d. 1608)

1589–92 · Etching

Cleared · Public Domain

live
The MetSimilar
Watch by Charles Bobinet, The Metropolitan Museum of Art

Watch

Charles Bobinet (d. 1678)

probably ca. 1655–60 · Case: agate with enameled golt mounts; Dial: white enamel with gold hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Hooded wall clock with calendar by Ahasuerus I Fromanteel, The Metropolitan Museum of Art

Hooded wall clock with calendar

Ahasuerus I Fromanteel (d. 1693)

ca. 1660–65 · Case: ebony and oak veneered with ebony, ebonized wood, gilded brass; Dial: gilded brass with silvered-brass chapter ring; Movement: brass, steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar by Joseph Knibb, The Metropolitan Museum of Art

Longcase clock with calendar

Joseph Knibb (d. 1711)

ca. 1680–85 · Case: walnut and oak veneered with walnut; dial: gilded and silvered brass; movement: brass, steel

Cleared · Public Domain

live
The MetSimilar
[Dog] by Louis-Auguste Bisson, The Metropolitan Museum of Art

[Dog]

Louis-Auguste Bisson (d. 1876)

1841–49 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
[Two Children with Parrot] by Maria Chambefort, The Metropolitan Museum of Art

[Two Children with Parrot]

Maria Chambefort (d. 1893)

1857–1858 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
Barrel Piano by George Hicks, The Metropolitan Museum of Art

Barrel Piano

George Hicks (d. 1863)

ca. 1860 · Wood, various materials

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tamar Turned Out of Amnon's House, plate 4 from "The Story of Tamar and Amnon"

Philips Galle (d. 1612)

1559 · Engraving; first state of three (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Virgin Mary facing right

Buenaventura Enciso

1861 [reprinted 1938] · Engraving

In copyright

live
The MetSimilar

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