Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    672 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Tara"11 records

Institutions answered newest-first by record, interleaved

Green Tara by Aniko, The Cleveland Museum of Art

Green Tara

Aniko

c. 1260s, mounted 2020 · Painting, thangka; gum tempera, ink, and gold on sized cotton; mount: silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night by Tara 2, The Cleveland Museum of Art

The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Tara 2

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night by Tara 1, The Cleveland Museum of Art

The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night

Tara 1

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot) by Tara 1, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)

Tara 1

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Thirteenth Night, from a Tuti-nama (Tales of a Parrot) by Tara 1, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Thirteenth Night, from a Tuti-nama (Tales of a Parrot)

Tara 1

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bodhisattva of Compassion as Lokeshvara the Sky Flyer (Khasarpana) by an unrecorded maker, The Cleveland Museum of Art

Bodhisattva of Compassion as Lokeshvara the Sky Flyer (Khasarpana)

Unrecorded maker

late 1000s · Sculpture, Kaolin with traces of pigment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Standing Tara by an unrecorded maker, The Cleveland Museum of Art

Standing Tara

Unrecorded maker

1300s · Sculpture, bronze, gilded

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Seated Tara by an unrecorded maker, The Cleveland Museum of Art

Seated Tara

Unrecorded maker

1100s · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pendant with Four-armed Green Vishnu on a lotus with Nagas by an unrecorded maker, The Cleveland Museum of Art

Pendant with Four-armed Green Vishnu on a lotus with Nagas

Unrecorded maker

1600s or 1700s · Jewelry, Gold set with precious and semiprecious stones

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Stater: Taras (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: Taras (reverse)

Unrecorded maker

334–302 BCE · Coins, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Stater: Nude Warrior on Horseback (obverse); Taras (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: Nude Warrior on Horseback (obverse); Taras (reverse)

Unrecorded maker

334–302 BCE · Coins, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.