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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    334 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Taxing Us Rich from the Crown of Our Hea"11 records

Institutions answered newest-first by record, interleaved

Head of Vaitunkta Vishnu by an unrecorded maker, The Metropolitan Museum of Art

Head of Vaitunkta Vishnu

Unrecorded maker

ca. 6th century · Stone, probably chlorite

Cleared · Public Domain

live
The MetSimilar
Altar to the Sun Warrior by Mexico Nahua artist(s), The Metropolitan Museum of Art

Altar to the Sun Warrior

Mexico Nahua artist(s)

1450-1521 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Emperor Antoninus Pius by Antico (Pier Jacopo Alari Bonacolsi), The Metropolitan Museum of Art

Emperor Antoninus Pius

Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)

1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle

Cleared · Public Domain

live
The MetSimilar
The New Testament, The Book of Common Prayer by Robert Barker, The Metropolitan Museum of Art

The New Testament, The Book of Common Prayer

Robert Barker

ca. 1636 · Silk, bullion, silver, and silver-gilt thread on canvas and satin

Cleared · Public Domain

live
The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Center table by Imperial Armory, Tula (south of Moscow), Russia, The Metropolitan Museum of Art

Center table

Imperial Armory, Tula (south of Moscow), Russia

ca. 1780–85 · Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass

Cleared · Public Domain

live
The MetSimilar
Madeline after Prayer, from "The Eve of St. Agnes" by John Keats, stanza XIX, lines 4-5 by Daniel Maclise, The Metropolitan Museum of Art

Madeline after Prayer, from "The Eve of St. Agnes" by John Keats, stanza XIX, lines 4-5

Daniel Maclise (d. 1870)

July 1, 1871 · Etching and engraving on chine collé

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Comus. A Mask

John Milton (d. 1674)

1858 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Taxing Us Rich from the Crown of Our Head to the Sole of Our Shoe (published in "The Daily Graphic," September 6, 1888)

Thomas Nast (d. 1902)

originally published 1888 · Relief print and electrotype

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Nagasaki Courtesan with a Nanban Screen

Kobayakawa Kiyoshi (d. 1948)

1926 · Hanging scroll; color, silver, gold, and gold leaf on silk

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.