Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    841 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "Tazza with pillar-molded bowl"12 records

Institutions answered newest-first by record, interleaved

Armorial tazza by Italian, The Metropolitan Museum of Art

Armorial tazza

Italian

1499–1514 · Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt

Cleared · Public Domain

live
The MetSimilar
Tazza by an unrecorded maker, The Metropolitan Museum of Art

Tazza

Unrecorded maker

early 16th century · Glass, enameled

Cleared · Public Domain

live
The MetSimilar
Tazza by an unrecorded maker, The Metropolitan Museum of Art

Tazza

Unrecorded maker

first half 16th century · Glass, enamelled and gilt

Cleared · Public Domain

live
The MetSimilar
Tazza by an unrecorded maker, The Metropolitan Museum of Art

Tazza

Unrecorded maker

ca. 1547–59 · Lead-glazed earthenware inlaid with slip, with molded ornament

Cleared · Public Domain

live
The MetSimilar
Basin (Réchaud) by an unrecorded maker, The Metropolitan Museum of Art

Basin (Réchaud)

Unrecorded maker

mid-16th century · Lead-glazed earthenware (white pottery)

Cleared · Public Domain

live
The MetSimilar
Tazza by an unrecorded maker, The Metropolitan Museum of Art

Tazza

Unrecorded maker

late 16th century · Glass

Cleared · Public Domain

live
The MetSimilar
Tazza by an unrecorded maker, The Metropolitan Museum of Art

Tazza

Unrecorded maker

16th century · Glass

Cleared · Public Domain

live
The MetSimilar
Wine Cup on a High Foot (Tazza) by an unrecorded maker, The Metropolitan Museum of Art

Wine Cup on a High Foot (Tazza)

Unrecorded maker

1599–1600 · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Tazza by an unrecorded maker, The Metropolitan Museum of Art

Tazza

Unrecorded maker

late 16th–early 17th century · Glass

Cleared · Public Domain

live
The MetSimilar
Tazza with pillar-molded bowl by an unrecorded maker, The Metropolitan Museum of Art

Tazza with pillar-molded bowl

Unrecorded maker

early 17th century · Glass

Cleared · Public Domain

live
The MetSimilar
Tazza wineglass by an unrecorded maker, The Metropolitan Museum of Art

Tazza wineglass

Unrecorded maker

17th century · Glass

Cleared · Public Domain

live
The MetSimilar
Tazza by A. Hertel, The Metropolitan Museum of Art

Tazza

A. Hertel

18th–19th century · Pewter

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.